A Quote by Mario Vargas Llosa

Each book, for me, has been an adventure, a period of time dedicated to study, to document certain facts, to traveling, and also to fantasize and to invent. — © Mario Vargas Llosa
Each book, for me, has been an adventure, a period of time dedicated to study, to document certain facts, to traveling, and also to fantasize and to invent.
When you invent the ship, you also invent the shipwreck; when you invent the plane you also invent the plane crash; and when you invent electricity, you invent electrocution...Every technology carries its own negativity, which is invented at the same time as technical progress.
I've been traveling more and feel like I've figured out a comfortable way to do it. The biggest shift is that I spend my traveling time 'in the moment,' I don't over-schedule when I'm somewhere and instead focus on longer time with less people. I also give myself plenty of me time on the road.
My books have come many years apart and each one seems to reflect a period of experience. Ending the book is like putting a period on a certain movement. Interior and external - both.
Vaccinated Time Travel: To fantasize about traveling backward in time, but only with proper vaccinations.
This book is dedicated to Sweet Loretta Modern. It's also dedicated to all the Jerichoholics who have stood behind me through all of the trials and tribulations over the last twenty years.If I were wearing a hat, I would tip it all to you.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
Each my book feels like my last book. And then I think, like a dedicated alcoholic, that one more won't do me any harm.
I also like to do physical things. I like swimming a lot. I like traveling. Not touring traveling but just plain traveling. I also read a lot. Reading takes up most of my time.
The whole of life is as music and in order to study life we must study it as music. It is not only study, it is also practice which makes man perfect. If someone tells me that a certain person is miserable or wretched or distressed, my answer will be that he is out of tune.
We have received no single argument in favour of this document except political pressure. No link has been established between carbon dioxide emissions and climate change. No other objective facts have been presented in recent time. The IPCC's reports in 1990 and 1995 show it clearly.
I suppose also that watching marketing and publicity stuff play out from behind the scenes, making those plans and seeing each piece fall into place or not, each year, for each book, has made me a little more tranquil about the process for my own book than I might otherwise be.
I often feel that I have a split personality. I love more than anything to be in my study writing, but when it's time to do a book tour, I love that extroverted part, too - talking to people, reading, traveling, going out into the world.
One of the reasons a lot of actors go into the business is that for a short period of time, you get to be other people who you can only fantasize about being, by and large.
I don't have an agenda. I don't have things I want to get to or something. I have like a broad, slim grasp of certain periods and certain shows within that period, an awareness of them, but they demand re-listening. I have a flimsy grasp of all the eras and ideas within each period of what would be a good show to think of.
A good autobiography is like a document: a mirror of the age on which people can 'depend.' In a novel, by contrast, it's not the facts that matter, but precisely what you add to the facts.
I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze the time period with comparisons to the figure and the facial structure. It helps to be comfortable with computers because the massive amount of research is kept electronically and shared with my staff this way. Very little is printed out. I work with an illustrator to come up with the proper silhouettes and details of the clothing from the time period to time period. And on and on.
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