A Quote by Mario Williams

You've got to be careful of guys trying to chop-block you. You know, running backs, the receivers. You've got to just hope that your knees are fine and you can avoid those chop blocks.
Do you speak Chopnese huh? Do ya? Chop chop chop chop chop. Aha you don't.
Women on the streets want money when we meet. I take them for a little ride, chop, chop, chop.
I can't - I'll chop off my own foot!" "If you're going to chop off anyone's foot, chop off Benedict's," Will muttered.
As for meat, I'm not going to become vegetarian. I'm telling you that right now. I want me a steak. I want me a pork chop. I want me a lamb chop, even a piece of duck every once in awhile. We used to have ham and salami, all that crazy stuff. I can't eat processed food. I've got to find local farmers and get natural foods.
The work of art is already within the block of marble. I just chop off whatever isn't needed.
As a man you just think, oh no, can I grow a beard, can I do this, and a mutton chop is a really niche aspiration, but yeah, I got there.
You've got to block out all distractions when you train. Your focus has to be 100% into the rep. You've got to get into a zone. You know you're in the zone when guys in the gym look you in the eye and then quickly turn away 'cause they see the fire. You've got to be all business.
This is probably an asset that my wife hates, where you compartmentalize. Most times, I think it's an asset, where you can just sort of feel like you chop off one part of your brain to do the next thing that you've got to do.
I had to learn how to chop wood actually - I don't think my dad would have let me go chop wood in the backyard growing up.
Look at baseball, with its defensive shifts - outfielders looking at cards on the field much like a quarterback would. It's possible that someday defensive backs will be playing with similar cards based on where receivers are lined up and what those receivers' route-running strengths are. The possibilities are endless.
I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.
I choose a block of marble and chop off whatever I don't need.
You've got to chop back the performance like a rose bush. That's when it's beautiful.
You've got to avoid overcoaching. You've got to avoid talking too much. You've got to avoid showing players that you're the boss every time. You don't have to do that. They know you're in charge.
It is well-known that there are many faces in the world over the finishing of which nature did not take much trouble, did not employ any fine tools such as files, gimlets, and so on, but simply hacked them out with round strokes: one chop-a nose appears; another chop-lips appear; eyes are scooped out with a big drill; and she lets it go into the world rough-hewn, saing: "ALIVE!
I hate running. Only if I have to, but my job is to get the ball to the receivers, the tight ends, running backs.
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