A Quote by Marion Cotillard
As a teenager, I didn’t want to be me; I wanted to be many different people. Maybe I realized that they all lived inside me and that if I managed to connect with them, they would become aspects of me.
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As a teenager, I didn't want to be me; I wanted to be many different people. Maybe I realized that they all lived inside me and that if I managed to connect with them, they would become aspects of me.
I wanted to tell her everything, maybe if I'd been able to, we could have lived differently, maybe I'd be there with you now instead of here. Maybe... if I'd said, 'I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.
I wanted people to trust me, despite anything they'd heard. And more than that, I wanted them to know me. Not the stuff they thought they knew about me. No, the real me. I wanted them to get past the rumors. To see beyond the relationships I once had, or maybe still had but that they didn't agree with.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
Maybe he didn’t really encourage me to do things, but he didn’t prevent me from doing them either. But after a while, I didn’t do things because I didn’t want him to think different about me. But the thing is, I wasn’t being honest. So, why would I care whether or not he loved me when he didn’t really even know me?
As I lived on in America, I got to truly know the people of this country - so many kind and wonderful people, people of so many races - who helped me in so many ways. Who became my friends. I realized that underneath our different accents, habits, foods, religions, ways of thinking, we shared a common humanity.
I met Gerhard Richter and Alighiero Boetti when I was a teenager, and I was really inspired by them. When Boetti died, I realized I only vaguely remembered so many things he told me. It was such a pity. Had I only recorded his voice, he would still be with me, and I could listen to it from time to time.
I've managed many people in my career. I've managed very diverse teams. And it's interesting because what I've found over time is that when it would come to bonus time or raise time, I would hear from the gentlemen, 'I want to make X.' I don't think I ever heard from a woman who worked for me, 'I want to make X.'
I've lived a long time, and a lot of things shut down. Painting is one of them. It never occurred to me that I wanted to go back. The world, in a pathetic way, doesn't want me to be an artist; they want me to be in the kitchen, which I just can't do.
My parents were Hungarian immigrants; my father was a tailor and we lived in the back of a tailor store. And that was my first inkling of what it was like to be raised in America. It had a profound effect on me - I saw different people coming in all the time with different attitudes and I liked it. And as I grew older, I found that I was able to use something inside of me to get some sympathy if I wanted it. I used to shine shoes, and I would use a waif-like look. I'd get a dime and I'd be as happy as could be.
I noticed the different kids were always put down by other people and it would cause them to become almost violent with themselves. It's not really necessary; there's a way to find strength in yourself, and for me it was writing. That was sort of my release and my escape, so the term 'Knives and Pens' to me was like a choice. You can either create, or become violent, and maybe go down a dark road.
For so much of my life, I lived feeling as if, if I spoke, if I said something, I would lose everything. I would be pushed out. No one will want me. No one will love me. No one would want to be friends with me. It took me decades to get to a space of saying, 'This is my truth. This is who I am, and I don't care if you like me or you don't like me.'
When I was younger, bands helped me connect to part of my humanity; bands that had nothing to do with anything political helped to form me. There's a correlation in that: If people can connect to music, maybe they can connect to each other.
I have many favorite actors that have influenced me all my life and that are still idols and models to me. It would be extremely hard for me to narrow it down to a few because each and every one of them influence me in a different way, on a different level, with diverse things, emotions, or thoughts.
I think that I have a lot of different personalities inside me, and I can just draw on them when I need to. And that, I don't know, maybe that makes me sort of schizophrenic in my real life, but it helps at work.
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