A Quote by Marion Cotillard

I think that you always learn something from working with good actors. — © Marion Cotillard
I think that you always learn something from working with good actors.
You learn, of course, when you're working with something good, but you also can learn when you're working with things that are not good. You can see the reasons they're not good. I would sometimes suggest what could be done, but essentially say "It isn't worth the bother." So I learned from that process.
Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating. There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.
I don't think that anyone learns anything. Well, I mean, you do always learn something if you have your eyes and ears open. You do learn something from every outing, every time that you go for it. But for me what actors do is interact and that's why you have to do that.
Regardless of what level the actor's at, you always learn something. And you can learn something from bad actors as well, who I've also worked with in the past.
I'm good with dialect. Some actors do it immediately; other actors never quite get it. It's something I've always really enjoyed and something I've always been pretty fast with.
I always love working with young actors, because there's always something to learn. It's always exciting to see the next generation and how they approach things and what's great about them and what's not so great about them.
I didn't go to film school. My Grampa always says just watch a lot of movies. He didn't go to film school; he went to theatre school. It's interesting to learn about the technical side of it, but I think it's more important to learn about writing and working with actors.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.
I always tell reporter that you always have to be working. If you are at a party you can have a good time but if you hear something talking about something new or different that's going on you have to be working. In this business to be at the top of your game you really can't unplug.
Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
I look for something that grabs me and that's heartfelt, and that's coming from a good place. I want to work with good actors and with directors that I can learn from.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
Something I learned as an actor was which scenes needed to be rehearsed and which actors are good with rehearsal, which actors learn from it, and which ones grow stale because they start to second-guess themselves.
This site uses cookies to ensure you get the best experience. More info...
Got it!