A Quote by Marion Cotillard
I'm always 100% committed to a character, a story and a director, and with Michael Mann it was 1,000%. I don't know how to explain this.
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Sometimes you don't need to explain how you care and love someone so much, but I really love him as a person and as a director. I wanted to be perfect for Michael Mann. I wanted to give the best of my best of my best. I don't know if I did, but I was touched by him. He's totally inspirational.
I'm a great fan of Michael Mann and when he asked to see me I couldn't believe it. I was very happy. I met him and I read this beautiful script. I didn't know anything about Dillinger. I fell in love with the movie and Michael Mann.
'Infernal Affairs' uses a vibrating terseness usually found in the writer and director Michael Mann's work. Thematically, this film deploys the techniques Mr. Mann brought to bear on 'Heat,' right down to using a similar cold-blooded electronic score.
'Ali' is a breakthrough for its director, Michael Mann. The film, based on the life of Muhammad Ali, is Mr. Mann's first movie with feeling; his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds.
If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.
Tony Scott, Walter Hill, Michael Mann - I'm a big action fan, full stop. And even though Michael Mann is the more celebrated film-maker than Tony Scott, I love them both in different ways.
I know how to hit a mark without looking. I instinctively know where my eye line should be. That's all 100%. But your character and the story are always different, so the emotional part is not muscle memory. You're still surprised by stuff and get the adrenaline.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
Michael Mann's always been one of my heroes.
So often corporate America, business America, are the worst communicators, because all they understand are facts, and they cannot tell a story. They know how to explain their quarterly results, but they don't know how to explain what they mean.
A director makes 100 decisions an hour. Students ask me how you know how to make the right decision, and I say to them, 'If you don't know how to make the right decision, you're not a director.'
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
You deliver 2,000 babies or better - 3,000 by that time. And that's, you know, at minimum, three people each. And then if you take grandparents or grandparents of siblings and aunts and uncles, you know, you get - a 100,000 votes outta that
But there is a more virulent strain at the root of Western Lysenkoism today. Scientists, like Holdren and Michael Mann, can be leftist ideologues as well, posing to manipulate and mislead for the good of the cause. Bottom line: green is the new red. That is why Obama at root is so committed to it.
At what point, 2,000 years on from the life of Jesus, do we need a refresher course? Another 2,000 years? Imagine 100,000 years’ time – would the story of Moses’ burning bush amaze a generation laden with unimaginable scientific and technological wonders? Here lies religion’s biggest quandary. While science is squeezing the life out of God, how is religion going to muster a counterattack from here?
We have these 100 mms delays, you know, our attention is on our PDA, we're always in a rush. We drive around in these 4,000 pound metal wombs, these 4,000 pound containment systems to protect us from these 6,000 pound cars from smacking us.
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