A Quote by Marion Cotillard

I'm always very scared when I start a movie because I never know if I'm going to be able to do a good job or do a very bad job. — © Marion Cotillard
I'm always very scared when I start a movie because I never know if I'm going to be able to do a good job or do a very bad job.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
Do a good job on a good film and you're on the map. Do a great job on a bad movie and not very many people will think of you.
If I start thinking, 'Is this movie going to open? Is this movie going to do well?' I'm not focusing on the job. The job is to make a good movie.
I always start a movie by being very firm and very hard and very, very serious, and then I can relax a little more once I've gained respect. That's part of the job - you have to earn the respect of your crew.
I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.
We spend a lot of time and effort trying to figure out who's going to be a good NFL quarterback, and we do a very bad job of it. We don't really know. And we also spend a lot of time trying to figure out who will be a good teacher, and we're really bad at that too. We don't know if someone is going to be a good teacher when they start teaching. So what should we do in those situations in which predictions are useless?
When you are 'bad' in the art world they are very very scared! They want to control you... and they can't! Individuality and uniqueness are threats to the status quo. It is an artist's job to be an 'outlaw.
It's part of my responsibility, as an actor who has been lucky enough to have this job, to take my job very seriously, show up on time, know my lines, and give the best performance that I can because I'm doing something that so many other people work very hard to have and never get.
I would have been very happy just working from job to job, paying my rent one movie at a time. I never wanted to be this famous. I never imagined this life for myself.
I'm very, very fortunate to be in the job that I'm in, and I would love for it to continue forever, but it won't. I have to financially and emotionally prepare for the day that 'Mad Men' will go away, because who knows what my next job is going to be?
Apple does a very good job of not letting its competitors know what it is working on, and Apple does a very good job of not confusing customers by causing them to anticipate what the next new thing is going to be and then causing those customers not to buy the products that are on the shelves now.
I'm very grateful for the way things have panned out. If I hadn't had a struggle at the start, I wouldn't be able to appreciate every single day in this job. Whether you love or hate a job, you can't waste the chance to do something with it.
I always get scared doing a job. To this day, I start every job thinking, I really can't do this. And what I do when I'm insecure is I tighten up. If you work through the night you can do anything.
I always think my job is like any other job. Every job has good and bad parts, and mine is to be a musician. I know why I started making music and I always knew there was no plan B. I'm passionate about it. I love being in the recording studio and researching sounds with the possibility of discovering something new. That motivates me.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
You set out to tell a good story. You don't do it because there is a deep message involved, because the movie is almost always bad when you do that. Your job No. 1 is for it to be entertaining, and if it's inspiring, that is great, too.
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