A Quote by Marion Cotillard
The first thing I have to do to erase my French accent is think that it is actually possible, whereas for the moment, I think it's not. I have a lot of work.
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I think moving from Ireland to Australia, you couldn't get a more different accent on the palate. The Irish accent is very muscular and involves a lot of tongue and cheek-muscle work, whereas the Australian accent is really flat; the palate is quite broad. They're at almost opposite ends of the scale, so I feel it was good training.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
Personally, I don't think it's possible to do great things alone or through individual actions. On the contrary, I think it is only possible to know what to do in a specific moment once you have understood the zeitgeist, and it is only possible to move things forward if you have a sense of responsibility. And that is exactly the goal I have set for myself: to try to encourage France and the French people to change and develop further.
I actually think there are a lot of similarities between California girl-style and French girl-style. Long messy hair, and that 'I don't think about what I'm wearing too much' kind of thing.
There are quite a lot of people who think my aspirations are not possible. That's a good thing. We don't need to really worry about these people very much, because since they don't think it's possible they won't take us very seriously- and they will not actually try to stop us until it's too late.
American women often fall into the trap of, "Oh, these are my weekend clothes. These are my work clothes. This is what I wear at night." It's so old-fashioned. The French are not afraid of their luxury. Americans can be so puritanical and think, "That's my special-occasion bag." Whereas, for a French woman, it's her everyday bag.
I actually prefer to work in as many different genres as possible as often as possible because I actually think the best way to be inspired and avoid any writers block or things like that is actually to be able to go from a comedy to an action to a horror to a adventure, that actually makes it easy for me to start over and get new ideas, and it keeps things interesting.
I think 99% of the whole thing is to have passion about the idea yourself. I think part of your job as a filmmaker is to tell someone that might not think it's going to work that, actually, it will work.
If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.
I think the accent is what a lot of people find attractive. If you take the accent away, I'm a very troll-like individual.
You're sonically racist, Americans. You think we all sound the same, whereas I have definitely a mongrel accent.
I think the hardest thing about doing an accent, especially with a Missouri accent, is making sure that you're not mumbling with the words so your diction is clear.
The question that comes up a lot is, if you had the chance to erase your memory of something specific, what would you erase? And my answer has always been, I wouldn't erase anything, personally. In some ways, I almost wouldn't want to erase anything from the public consciousness, either, for the same reason.
I think the work in front of us is the first work task given our forbearers, which is to care for the garden. Now because it's the first thing commanded, maybe it's the first thing forgotten. But it is the first admonition and it is absolutely unequivocal. It is part of right livelihood.
The first thing I think about is music, and the last thing I think about is music. I'm like some Monk. I don't see a lot of daylight. I hang out with musicians, I hang out with directors and I just try to spend as much of my life as possible playing music.
But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.
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