A Quote by Marion Cotillard
In a way, I don't create anything; I just open myself to the character, and the character takes over. Of course, I'm aware of it, and I'm driving it, but I don't try to control it. If I try to control it, it goes wrong.
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In order to not have to deal with being gay in the world, you have to control everything. You try and walk in an un-gay way so as not to be found out. You try to control every situation, check the people around you, that you're not in the wrong place, and that can be exhausting. It goes on for decades, and it becomes mental sickness.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
All I try to do is as earnestly and as acutely as I can, conceive a character and try to portray this character just honestly. If the humor is within the absurdity and the awfulness of situations, then let it be seen that way.
I think I just have to control what I can control. I can control myself. I can't control anything else but what I do. I definitely know I can do a better job at that.
We have a writing process that's very much you try to create the character in a complicated way and then you let the story lead you to discovering who the character is in a natural way.
And knowing that the only alternative to your grief is the nothingness that’s fast approaching, you try to embrace your own sorrow, to be open and empty and let it all pass through you. This is the key, you have learned – to relinquish control, to relinquish the desire for control. Even in this late drama, to try to control is to go mad. And so you do your best to let it all go.
I'm completely in control of creating my photographs, and I'm not always in complete control of creating a character. It's more of a way to express myself than acting is, by far.
Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy... or whatever... to happen.
My character Lena is somebody who responds to people in a very simple way. I didn't have to take myself off to a darkened room to concentrate, I just had to try and be open. It's an interesting, subtle relationship.
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
I feel like, as boxers, we're not like normal people. After a while doing this, you get that buzz. It can be wild and out of control. I have to try to control myself. That's what boxing is about - control.
I try to remind myself that we are never promised anything, and that what control we can exert is not over the events that befall us but how we address ourselves to them.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
We have no control over the outcome of anything. Like the planet and global warming, we don't control that. If politicians want a war we don't control that. Acts of terrorism, we can't control them.
Our job, as actors, is to just try to be as accurate and as mindful of what the audience is going through and receiving and processing. If it's a situation where the character should look a little bit out of control or do something stupid, it's your job to act into that, in a believable way.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
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