A Quote by Marion Milner

It's weak and despicable to go on wanting things and not trying to get them. — © Marion Milner
It's weak and despicable to go on wanting things and not trying to get them.
...after you stop wanting things is when having them won't make you go crazy. After you stop wanting them is when you can handle having them. Or before. But never during. If you get things when you really want them, you go crazy. Everything becomes distorted when something you really want is sitting in your lap.
You get dinged for wanting to do a comedy, then wanting to do a big-budget action film, and then wanting to do an indie. But you can't let other people trying to label you get in the way of trying to do something artistically.
I think this is when most people give up on their stories. They come out of college wanting to change the world, wanting to get married, wanting to have kids and change the way people buy office supplies. But they get into the middle and discover it was harder than they thought. They can't see the distant shore anymore, and they wonder if their paddling is moving them forward. None of the trees behind them are getting smaller and none of the trees ahead are getting bigger. They take it out on their spouses, and they go looking for an easier story.
It's an attitude that has to do with curiosity, with wanting to know about things, wanting to be able to influence things, and wanting to be able to influence them in a way that's worthwhile
This high-end, novelistic form of TV, you know, is just peppered with despicable people who do marvelous things and marvelous people who do despicable things.
All I know about getting something that you want is that there are three essential things: wanting, trying and getting the opportunity, the breaks. None works alone without the others. Wanting is basic. Trying is up to you. And the breaks - I do know this, they always happen.
A lot of the stories are internal. They leak it to me wanting to get attention, wanting to get that headline. More times than not, I will not give it to them.
When you're a music director, you have people constantly sending you music and trying to get - I mean, I'm sure you have the exact same thing when you do a magazine - that you have people constantly wanting to get your attention. And I think I learnt a lot from being on that end of things, when I was trying to book the tour, the first tour we did.
I think that's all a form of wanting to let go, of wanting to get out... It's not something easily described or understood.
Hope is wanting something so eagerly that-in spite of all the evidence that you're not going to get it-you go right on wanting it.
I don't live in the past at all; I'm always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
When we let go of wanting something else to happen in this moment, we are taking a profound step toward being able to encounter what is here now. If we hope to go anywhere or develop ourselves in any way, we can only step from where we are standing. If we don't really know where we are standing—a knowing that comes directly from the cultivation of mindfulness—we may only go in circles, for all our efforts and expectations. So, in meditation practice, the best way to get somewhere is to let go of trying to get anywhere at all.
I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
What we want... is for students to get more interested in things, more involved in them, more engaged in wanting to know; to have projects that they can get excited about and work on over long periods of time, to be stimulated to find things out on their own.
There's a difference between wanting to be respected and being a strong female and being known for being able to do things, but still very much wanting guys to open the door, wanting them to ask us out, still bringing flowers and stuff like that.
It's unusual when you get scripts not wanting to change things - I'm one of those actors who writers must hate as I'm always wanting to rewrite or swap bits about.
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