A Quote by Marisa Miller
You have to get over being shy, and just be comfortable with yourself, and I think that for me, if I'd stayed in a small town, I'd be a different person.
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I think growing up in a small town, the kind of people I met in my small town, they still haunt me. I find myself writing about them over and over again.
What makes most people comfortable is some sort of sense of nostalgia. I grew up in a small town, and I could count my friends on one hand, and I still live that way. I think I'll die in a small town. When I can't move my bones around a stage any more, you'll find me living in a place that's spread out and rural and spacious.
A lot of stuff doesn't faze me. I think it's because I was brought up in a small town, and normally, when you're from a small town, when you see a famous person, you'd be like, 'Oh my god. This never happens,' but I've always kind of been like nonchalant.
With me, I'm quite a shy bredda, so it's when I get to know someone - just like any shy person - you just open up more.
Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
I don't like to start anything, ever, but if they're going to try to intimidate me, I like to just stand there and say, 'Sorry, it ain't gonna happen.' I'm shy but I'm badass. I'm not shy in a timid way, just shy in a way that I'm not comfortable with people.
Being a lawyer, even in a city as large as Chicago, is like being a citizen of a small town. I love watching the life of the town play out. You know, the rise and fall of individual lives in the entire community is just fascinating to me.
I think there are two sides of the coin. On one hand, it can be challenging to access different parts of yourself, and you kind of have to put yourself back into reality when you're done with the job. But I think it's also really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before. I think that's something that I've been learning more recently.
From as early as I can remember, I wanted to have something to do with the acting business. I was a TV junkie as a kid and I think, because I grew up in a small town where I couldn't imagine myself staying there and couldn't see myself being any of the people that I was surrounded by in this town, I just knew that I wanted a different kind of a life, but I didn't know what that meant and I didn't know how.
I was always very shy but as I get older I think, What am I being shy for? You just grow weary of your own hang-ups.
I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
I think that setting a novel in a small town taps into a sense of nostalgia among readers. People tend to believe life is different in small towns, and frankly, it is different.
I think it's just that as a creative person, in all the different things that I've done or ways that I've found to express myself, I've consistently come up against resistance in certain areas. I think that the world is not comfortable with female sexuality. It's always coming from a male point of view, and a woman is being objectified by a man - and even women are comfortable with that. But when a woman does it, ironically, women are uncomfortable with it. I think a lot of that has to do with conditioning.
I first read Wendell Berry's short-story collections, "Fidelity" and then "Watch with Me." They just knocked my socks off. The characters and the fellowship of the small town reminded me of my own small town in Illinois.Then I discovered that, much like J.R.R. Tolkien and C.S. Lewis, that all of Berry's fiction was centered in this same town.
Being a WWE performer and doing all the different things we get to do, it can wear on you, and you can learn a lot of stuff about yourself. For me, it always reminds me to just stay humble. Just be yourself, love what you do, and enjoy the ride.
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