A Quote by Marisa Silver

I guess I'm drawn to stories of people whose physicality puts them on the outside of things in order to explore the ways in which an identity is formed around these prevailing attitudes.
Success and failure in our own national economy will hang upon the degree to which we are able to work with races and nations whose social order and whose behavior and attitudes are strange to us.
When I spoke at the St. Lawrence Seaway ceremonies in 1969, I borrowed some words from the monument there which I had joined Queen Elizabeth in dedicating just 10 years before. That monument, as its inscription puts it, 'bears witness to the common purpose of two nations whose frontiers are the frontiers of friendship, whose ways are the ways of freedom, whose works are the works of peace'.
I had observed people whose identity crises around race seemed analogous to other people's identity crises around gender.
In order to be a winner, you have to look for ways of getting things done and not for reasons why things can’t be done. People who live with excuses have things that can’t be done hovering around them all the time.
There's obviously a lot of controversy around the issue of hunting as there is around gambling, and I like these stories where there is a moral dimension, stories that force you to think about your prejudices about a subject and explore the extent to which they are justified.
To me, it feels like every time I'm watching some trans story, it's about their grief around their gender. And there's not really a lot of opportunity for them to explore stories outside of that. It's just really frustrating. It's really one dimensional.
There is a common theme, though, in the stories I have told, which are usually associations of characters or families that are formed outside of a family circle.
I'm always drawn to the underdogs, to the people whose stories don't get told.
One of the big ways in which I felt my own writing life shaped by recovery had to do with my relationship to other people's stories. And one of the things I loved most about recovery was the way in which, in meetings and through fellowship, you are constantly kind of paying attention to lives outside of your own.
Stories, as we're taught in journalism school early on, are told through people. Those stories make our documentaries powerful. You can explore someone's culture, you can explore their experience, you can explore an issue through human beings who are going through it.
I've always been drawn to the extremes of human behavior, and crime fiction is a great way to explore the lives and stories of fascinating people.
There are so many avenues to explore and stories to tell. It's just about finding new ways of telling them.
I guess as I get older, I'm kind of getting drawn to the things that I really love the most, which is trying to figure out ways of blending politics with humor, and making it interesting. So I don't know if anybody's interested in this stuff, but I like it, so I get involved with it.
The Constitution of the United States, like all systems of government which are permanent, had its origin in the history and necessities of the people through whose instrumentality and for whose benefit it was formed.
All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct again. There are very few designers whose aesthetic I'm drawn to on a personal level. However, that's different from the ways in which I might dress the characters in my films.
Man does not limit himself to seeing; he thinks and insists on learning the meaning of phenomena whose existence has been revealed to him by observation. So he reasons, compares facts, puts questions to them, and by the answers which he extracts, tests one by another. This sort of control, by means of reasoning and facts, is what constitutes experiment, properly speaking; and it is the only process that we have for teaching ourselves about the nature of things outside us.
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