A Quote by Mariska Hargitay
It's very difficult leaving the house anytime with my baby at home.
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An' this house just ain't no home, Anytime she goes away.
That's what the American odyssey is really about: Leaving home. Leaving home and coming home, and trying to understand the difference.
However painful the process of leaving home, for parents and for children, the really frightening thing for both would be the prospect of the child never leaving home.
Never before have I imagined my life without him—like this house, he is my only point of reference in this difficult existence, this unstable and frightening world. The thought of his leaving home fills me with a terror so strong, it takes my breath away. I feel like one of those seagulls covered in oil from a spill, drowning in a black tar of fear.
In the antiseptic world we try to purge ourselves of difficult things. Don't dwell on it, switch off the light and go home. But this is home. I have to be a home to myself. I am the place I come back to and I can't keep hiding difficult things in trunks. Soon the house will be full of trunks and I perched on top of them with the phone saying, "Yes, I'm fine, of course, I'm fine, everything's fine." The trunks shudder.
This building we're in has doors and windows. If we close the doors and windows, we can't get out. People lock themselves inside a house of delusions. But they're only delusions. They can leave anytime. Actually there is no house to leave. There's not even any leaving. What we see are flowers in the sky, the moon in the water. As for the meditative powers of Zen masters like Hsu-yun, sometimes it's useful to meditate and sometimes it isn't.
In our society leaving baby with Daddy is just one step above leaving the kids to be raised by wolves or apes.
I'm very low-key. I don't really blend in, so it's difficult to go out in public. I like to do things that are kind of quiet, whether it's a dinner at my house or a restaurant, or a movie night at home.
If you are as happy, my dear sir, on entering this house as I am in leaving it and returning home, you are the happiest man in this country.
In working class districts, you had several families living together in the one house, and it was very difficult to get a house, because the politicians who controlled housing were doing so in a very discriminatory fashion.
I love everybody I work with. It's really like a family. I can't imagine leaving. It's weird. I know at some point I'll have to leave, but I don't really have any plan for that yet. Anytime you're leaving, it's going to be a crapshoot. You hope you have something to do afterward, but there's no guarantee.
I'm very jolly by nature but I get very upset when my skin is bad, I dread leaving the house.
Leaving South Africa was very difficult.
It was thinking negative thoughts or thinking positive thoughts, leaving the house prepared or leaving the house unprepared that made the difference.
The hardest part about what I do, the most vulnerable place is my relationship with my family and Sara, my amazing partner, because I'm leaving a lot. And as a touring artist, I'm constantly coming and going, but also when I'm at home, my studio's at home. I'm leaving to go into a music world in my head.
It's very easy to say no to leaving the house.
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