A Quote by Marjane Satrapi
I like to make mechanical stuff. Once I make a film I have to do whatever I can make onstage I make it onstage.
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My general advice for writers/comedians is, make stuff you like and are proud of. Put it in a place where people can see it, whether that's onstage or on the Internet or wherever. Just do the things that make you happy creatively, and then show them to people.
I thought I was going to be a lot more freaked out by being naked onstage. I think on film I would have been more freaked out, because film is less forgiving. But onstage it's lit so beautifully. It would make my mother look good.
Onstage I'm always different than offstage. I can be very friendly offstage, but onstage I will pull one trick after another on my competition to wipe him out, you know-because it's my living and I have to win. Franco is my best friend, but I will do as much as I can to make him look bad and make me look good.
Working with film directors helps me grow, but nothing like the incremental jumps I make onstage.
I've been known to wear pajamas onstage for the sole reason of wanting to make sure I'm free enough to execute new things vocally onstage and give my best performance possible.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
You get onstage and make other people feel happy. Make them feel good.
Thirty minutes onstage for me is literally a full day's work. So I make sure I eat right and I make sure I keep my energy high.
I can never satisfy myself until I can make a mechanical model of a thing. If I can make a mechanical model, I can understand it. As long as I cannot make a mechanical model all the way through I cannot understand.
In Hindi film industry, the maximum one can do is try and make a film like 'Badhaai Ho' or 'Andhadhun,' but if I want to make something of the level of 'Kanchivaram' it is impossible. If I will make that kind a film, it will have no traction.
Sometimes, occasionally, people will make out in the audience, completely not aware that there's a human being onstage just yards away from them, who can see them. Sometimes people think that you're on television while you're onstage, so you're not even a person.
I think a lot of people go into filmmaking thinking, "How can I make a career?" And so when they make their first film, they make it thinking, "Well, this'll be the one that gets me to the place where I can make the second film the way I want to make it, and that'll get me to the place where I can make $100 million on the third film." And I thought, "Well, if I put sustainability at the bottom of my priority list, then what opportunities is that going to free me up to pursue?" And that's what I've always done.
Although we're all in this to make a living, why not make something to make an impact? One day, I'll make a horror film. I think I know what the audience wants.
I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
I think comedy can be a way of sugar-coating a pill that needs to be taken, and whatever I complain about onstage, I hope I justify the negativity by using humour to make the point.
I'm very lucky to say that I worked with a lot of directors who cannot make a bad film. Like when Wim Wenders, they cannot make a bad film. They can make a film people don't like, or it's the wrong moment.
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