A Quote by Marjane Satrapi

You see a picture and you understand perfectly, immediately, the basic thing that's happening. It's probably more accessible because we are in a culture of images. People are used to seeing stories that way. They understand looking at pictures.
Because Bin Laden's culture doesn't permit the worship of images, they understand how powerful images are. We wouldn't have thought of creating a visual bomb. In a way, he's chopped down two iconic buildings, and used our very truth imagery, to express himself. It's fascinating... I mean, dreadful.
Even tiny children looking at a picture book are using their imaginations, gleaning clues from the images to understand what is happening, and perhaps using the throwaway details which the illustrator includes to add their own elements to the story.
When I do only images, people don't connect with the images because the images are too weird to understand. But when I explain the weird images with straight words, then all of a sudden there is a tension between the two that the audience wants to see.
We’re face to face with images all the time in a way that we never have been before... Young people need to understand that not all images are there to be consumed like fast food and then forgotten – we need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.
I don't do my best work while I'm in therapy. I'm too onto myself immediately seeing meanings in things and more likely to censor myself. I'd rather find images I don't understand. That's what generates the work.
Try to understand why it is happening, from where it is coming, where the roots are, how it happens, how it functions, how it overpowers you, how in anger you become mad. Anger has happened before, it is happening now, but now add a new element to it, the element of understanding -- and then the quality will change. Then, by and by, you will see that the more you understand anger, the less it happens. And when you understand it perfectly, it disappears. Understanding is like heat. When the heat comes to a particular point -- one hundred degrees -- the water disappears.
To an ever greater extent out experience is governed by pictures, pictures in newspapers and magazines, on television and in the cinema. Next to these pictures firsthand experience begins to retreat, to seem more and more trivial. While it once seemed that pictures had the function of interpreting reality, it now seems they have usurped it. It therefore becomes imperative to understand the picture itself, not in order to uncover a lost reality, but to determine how a picture becomes a signifying structure of its own accord.
I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.
One thing that I would like to get across is that even the most horrible events do have explanations that we can understand. And it's not always comfortable for us to understand, because in order to understand, we have to see how we're not so far away from the people in question.
But people turn on their televisions. They turn on their televisions and they see what's happening in Iraq. The American people are not stupid. And the one thing they understand, they understand how incredibly mismanaged and bungled this war has been by the civilians in this administration. And - I mean, you can't paper over that, any more than you can paper over Katrina.
Spanish is actually my first language, growing up, and I understand the culture. I understand the culture; I understand what the people want.
People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
When you see a silent movie, you understand everything that's going on from the images because the images are so strong.
I was immediately smitten with an attraction to this culture, not in the sense of high culture but of the basic way people behaved towards one another.
To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
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