A Quote by Marjane Satrapi
Adaptation of books is never a success. When the author wants to make it, it's even worse.
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Hillary Clinton wants to keep Obamacare and she wants to make it even worse, and it can't get any worse. Bad health care at the most expensive price. We have to repeal and replace Obamacare.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
I never think I have success even when I have it, for better or for worse.
I'm very intrigued by e-books, the topic du jour in the industry today. As a number one bestselling Kindle author, I love the way e-books make an author's backlist accessible to new readers. Of course, price point remains a source of concern. Personally, I don't have any of the answers, but I'm intrigued by the questions.
Obviously it makes a difference if an author has a public online profile of some sort, even just down to the level of having a moderately popular blog. Most books sell 5, 10, or 15 thousand copies. Most are midlist books. With those people, even a modest online presence can make a difference in sales.
Hillary Clinton wants to double-down on Obamacare and make it even worse.
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
No. Never. I have to try my best or I'll become worse and worse. Even if I can't make up with them. Even if they all ignore me. I still have to try my best.
I don't think that children, if left to themselves, feel that there is an author behind a book, a somebody who wrote it. Grown-ups have fostered this quotient of identity, particularly teachers. Write a letter to your favorite author and so forth. When I was a child I never realized that there were authors behind books. Books were there as living things, with identities of their own.
My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.
Books are nothing but repositories for those lies the author wants his reader to believe.
The author with the greatest influence on me is my friend Stephen Harrigan, who critiques everything I write before I even bother to show it to my agent or editor. He's a truly great writer - author of Gates of the Alamo and other books you might know of, and his instincts about what's working in a story, and what's not, are just about perfect. My books would be very different without his influence.
The success of many books is due to the affinity between the mediocrity of the author's ideas and those of the public.
I know publishing now more as an author than with occasional peaks inside those elite offices than as an industry insider. It was difficult publishing a novel the first time around, while working behind the scenes, knowing all that has to happen to make a book a success and to still make the leap as an author.
I dare say, ladies and gentlemen, it's even worse in some people, it's worse than the mistake they make in just assuming that there is the world and everything in it, and then there's America. And this one special place just happened. No thought's given to how. No thought's given to replicating it, even. No, that's where it gets even worse. Where it gets even worse is that some of those who look at the United States for what it is, special, no place like it on earth. Want to tear it down for that specific reason just because it's unfair.
Interestingly, I never thought I'd do an adaptation. I've also been quite against them. I think trying to translate one medium to another is wrong. I never really felt that books fitted into film. Generally people are disappointed, aren't they?
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