A Quote by Marjane Satrapi
In a place like Israel, they're very concerned with Iran, so there's a lot of interest. So they want to see what this Iranian from France has to say in her comics. I guess that's good. My the books are coming out in other countries. And each time, they discover something different to be interested in.
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I don't see myself as a very important person. But I was the second woman to write a novel in Iran, and I have written most of the novels about Iranian women. In this way, maybe I have a good place in Iranian literature.
It's my dream to sing onstage all around the world. France is the land of my birth, but I prefer other countries because the world is very, very big and I'd like to discover different countries - it's my first reason for travelling and singing.
A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.
I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
Many countries that formerly saw Israel as an enemy now see Israel as a potential partner in addressing their primary security challenges. And so first and foremost, Iran. The rise of Iran, the empowerment of Iran has created a big change in the dynamics in the region. The second was the rise of ISIS.
Iran has been calling for it for years, and the Arab countries support it. Everyone except the United States and Israel support it. The U.S. won't allow it because it means inspecting Israel's nuclear weapons. The U.S. has continued to block it, and in fact blocked it again just a couple of days ago; it just wasn't widely reported. Iran's nuclear program, as U.S. intelligence points out, is deterrent, and the bottom line is that the U.S. and Israel don't want Iran to have a deterrent.
A library is many things. It's a place to go, to get in out of the rain. It's a place to go if you want to sit and think. But particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books. If you want to find out about something, the information is in the reference books---the dictionaries, the encyclopedias, the atlases. If you like to be told a story, the library is the place to go.
The major difference for us in America with respect to Hispanic immigration is that it is so large and that it is coming from neighboring countries rather than those countries off the Atlantic or Pacific. That creates different issues and different problems for us as compared to the past. It is still very different, however, from the situation in Europe where we see people with a very different non-European religion coming from neighboring countries.
I'm coming out of the belly of Iran. It was the only place I was free. It's funny - when I say that, everyone is like, 'What? Freedom?' But the freedom I felt in Iran I've never felt anywhere else. Freedom of mind, freedom of time, of spirit. But after a while, you're so wounded that if you continue thinking about Iran, it will kill you.
I always want to remain positive. In our long history, Iran has been invaded by so many other countries and despite it all, the Iranian identity has survived. People are very courageous, especially the women, who are braver than the men.
Iran, Ireland, Israel. That's three countries, four religions that HATE each other. Way to go, 'I'.
Newspapers are closed if they print the wrong things in Iran. Iranian journalists or Iranian-American journalists, for that matter, I think are pressured in a lot of different ways, expected to give information to intelligence services. Americans can be thrown out of the country.
Once I'd worked out that I couldn't possibly expect people to enjoy a monstrous, 3000-page book, I realised I could in fact create a labyrinth of a story with four different points of entry. But what interested me was creating something that would rearrange itself every time you read one of the other books. So depending on which order you read them, the implications and angles would change. To get that right, each one of the books had to have its own personality and texture -- even though they are connected, they are very different creatures.
Sisters are made by living everyday with each other and wearing each other down until the rough spots are smooth. They're made by sharing secrets you'd never tell mom, and out of doing things for each other just because you feel like it, not because you have to. I guess you could say sisters are 'grown,' not manufactured, in a very special place called a family.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
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