A Quote by Marjane Satrapi
If you're not [Federico] Fellini you might make something very vulgar. Animation made it possible to maintain unity with all these different narratives.
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I think we're [me and my son] different. He plans, organizes and intellectualizes more than I do. It wasn't until I worked with Federico Fellini that I understood what my problem was.
I guess bittersweet is probably my favorite tone, as a lover of Woody Allen and Federico Fellini and the French New Wave. You know, old Hollywood, sad movies. I guess it's my picture of suburban life, a lot of it being very, very lonely. I wanted to have that infused into the feeling of it.
That's what I always loved about [Federico] Fellini's films: You see the weird joy of the weird filmmaking family and the abstract craziness that goes along with it, and there's something about it that's quite beautiful.
I'm in the saddle every day playing a screwball. And then somebody comes along and says, "How would you like to go to Italy and Spain and do an Italian/Spanish/German co-production with an Italian director who's only directed one movie?" It wasn't like I was going there to be with Federico Fellini. But something was there, and I thought, Well, I loved this story when it was told by Akira Kurosawa; maybe this is a good idea. That's an instinctive moment. A Fistful of Dollars was made.
I suppose I like to set myself projects that are tight, focused, and then challenge myself with how broad I can go within that limited aspect. I think to Helmut Newton and film director, Federico Fellini - the added level of eroticism, the arousing message - and how it was possible for them to keep their signatures over so many years.
The films I liked were European films - Federico Fellini, Michelangelo Antonioni, François Truffaut.
I'm a very temperamental person, but when you are wearing the captain's armband for Real Madrid or the national team, it's best to express yourself in a different way. You have to maintain a sense of unity - a good atmosphere where everyone feels happy is one of the keys to success, and that's something you shouldn't lose.
With Fellini, the fear dropped out of my work because it was such a happy experience... hanging out with Fellini, having pasta on the set with Fellini, and going out with Fellini!
Unity is surely the indispensable thing if meaning is to exist. Unity, to be very general, is the establishment of the utmost relatedness between all component parts... the aim is to make as clear as possible the relationships between the parts of the unity; in short, to show how one thing leads to another.
Cartoon violence is something very vivid and dark but made palatable for children in a fun way. That's the kind of comedy I do - I try to take subjects that might seem deep and make them as silly as possible.
It's very hard to adapt something. You end up changing it too much to make a good movie out of it. I prefer to work with things that are custom made for my kind of animation.
When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little.
I'm inspired heavily by film influences - David Lynch's Blue Velvet, Federico Fellini, Alfred Hitchcock, Pedro Almodóvar, and what I see in the cinema - so there is a linking, an interweaving between memory, cinema and contemporary life, which the women in my pictures encapsulate.
I've been exploring a lot of different avenues with a number of very different and very, very exciting filmmakers and writers. That's been the trip. I like to find something very, very different from the last thing I did, which might be similar to something I've done before, but as long as it's different from the last thing I did, it keeps me entertained.
I like feeling a sense of unity with the crowd even though everybody might be thinking something different.
I spend a lot of time in Paris, in Milan, and in New York, and Rome is a little bit different. There is something in Rome, incredible, like in a Fellini movie. Everybody's screaming and laughing very loud. It's something that can give me more energy in terms of freedom.
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