A Quote by Marjane Satrapi

You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale. — © Marjane Satrapi
You hear people saying, 'Oh I'm so tired, I've had enough of Cannes.' How can you have enough of Cannes? It's just the best place to be, like a fairytale.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
The people of Ethiopia are saying they've had enough of the killings and are tired of being exiled, imprisoned, beaten and we are done. We have had enough. We want peace now.
Italy to me is like the mean mother. Whatever I do, it's never good enough. People say I'm the queen of Cannes, but in Italy I get turned down for work.
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She had her prom at Cannes.
I watch the Cannes awards ceremony because I relate more to the films that are competing in Cannes than the ones competing for the Oscars.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
When you go to Cannes, people are there to fight, to scream - like football, the World Cup. Once I was working on a movie, and then when I went to Cannes, I went there to whistle at all the other movies in competition. You go to help your friends and fight with your friends' enemies.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.
Cannes is a very strange place. I tried to show up as best I could and to try not to be cynical.
I've been delighted by Cannes and Toronto but I keep saying I don't know how good we're going to be received in America because that's where it's most challenging
I've been delighted by Cannes and Toronto but I keep saying I don't know how good we're going to be received in America because that's where it's most challenging.
We were fortunate enough to shoot 'Alps' - write the script and shoot it - right after 'Dogtooth' premiered in Cannes. So we didn't just sit around and wait to figure out what to do because 'Dogtooth' was successful. We just wanted to make another film fast, so we just went ahead and did it.
I didn't really know what to expect. I had been told about the scale of Cannes, but nothing could have prepared me for just how many people would turn out for our photo calls or for the opening ceremony.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
Cannes is a fun festival, but some people use it as a place to smash a movie, or to destroy it.
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