A Quote by Marjorie Benton Cooke

until you learn that an artist cannot afford to scorn any phase of life that is human, you will never do great work. — © Marjorie Benton Cooke
until you learn that an artist cannot afford to scorn any phase of life that is human, you will never do great work.
The blessings of having the Holy Ghost in your life are enormous. It will lead, guide, enlighten, show, bless, teach, comfort, testify, witness to, and literally purify you. In your life as a missionary, you cannot succeed in any phase of work without the Holy Ghost. You cannot teach or be directed in the work.
Every great artist must begin by learning to draw with the single line, and my advice to young animators is to learn how to live with that razor-sharp instrument or art. An artist who comes to me with eight or ten good drawings of the human figure in simple lines has a good chance of being hired. But I will tell the artist who comes with a bunch of drawings of Bugs Bunny to go back and learn how to draw the human body. An artist who knows that can learn how to draw ANYTHING, including Bugs Bunny.
But if a peaceful world is beyond politics it is also beyond religions as these presently exist. A change is needed in every phase of human life. This lies mainly in recognition that the micro phase, the particular or national traditions, must find their context and fulfillment in the macro phase, the global or panhuman phase of human existence.
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work - then I was never an artist.
If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work, then I was never an artist.
I found that I faced a highly complex situation, and that I couldnt hope to change it until I had armed myself with the necessary psychological and intellectual capacity. My contemplation of life and human nature in that secluded place had taught me that he who cannot change the very fabric of his thought will never be able to change reality, and will never, therefore, make any process.
The power of beauty at work in man, as the artist has always known, is severe and exacting, and once evoked, will never leave him alone, until he brings his work and life into some semblance of harmony with its spirit.
You have a lot to learn, young man. Philosophy. Theology. Literature. Poetry. Drama. History. Archeology. Anthropology. Mythology. Music. These are your tools as much as brush and pigment. You cannot be an artist until you are civilized. You cannot be civilized until you learn. To be civilized is to know where you belong in the continuum of our art and your world. To surmount the past, you must know the past.
If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.
We all have weak moments, moments where we lose faith, but it's our flaws, our weaknesses that make us human. Science now performs miracles like the gods of old, creating life from blood cells or bacteria, or a spark of metal. But they're perfect creatures and in that way they couldn't be less human. There are things machines will never do, they cannot possess faith, they cannot commune with God. They cannot appreciate beauty, they cannot create art. If they ever learn these things, they won't have to destroy us, they'll be us.
My son took many years to learn the simple truth. You cannot love any one person adequately until you have made friends with the rest of the human race also. Adult love demands qualities which cannot be learned living in a vacuum of resentment.
This is my year of transition from what I'm calling the second phase of my life to the third phase of my life. And I wanted to pass it along. What I mean by that is, in the first days of your life you're dependent on others and you learn. You're basically a kid, depending on your parents. In the second phase of your life, you're working and others are dependent on you and you're trying to be successful. And then when you go to the third phase of your life it's no longer as much of a kick to be successful. There's a natural, instinctual desire to help other people be successful.
A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.
We cannot afford to exclude any vision - any way of looking at the world - that human beings have invented for ourselves.
It is the privilege of any human work which is well done to invest the doer with a certain haughtiness. He can well afford not to conciliate, whose faithful work will answer for him.
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