A Quote by Marjorie Liu

My solo series, in some ways, have been rarely truly solo. — © Marjorie Liu
My solo series, in some ways, have been rarely truly solo.
I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
I did Kyoto and traveled through some of Japan, solo. That was a really interesting experience. I felt very safe there as a female solo traveler, and I think you always need to be conscious of that.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
That solo on "Lord, I'm Discouraged" in terms of notes it isn't anything like it, but in terms of aesthetic, it's direct rip-off from the "November Rain" solo. In fact, when I did it, I imagined myself walking out of a church, walking out onto a cliff and doing a guitar solo. Slash has always been one of my favorites because the guy uses a lot of melody in his solos.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
Mostly, my flying has been solo, but the preparation for it wasn't. Without my husband's help and encouragement, I could not have attempted what I have. Ours has been a contented and reasonable partnership, he with his solo jobs and I with mine. But always with work and play together, conducted under a satisfactory system of dual control.
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
Acting in 'Solo' has truly been a wonderful and blissful journey for me.
Now, I'm a dad, I'm an adult. I've been solo for 25 years; I've been in other people's groups but I'm solo [in a broader sense]. I stopped comparing myself to other people's maps when I was maybe 24, really. The trajectory that I've gone on is not one that I can compare with anybody else.
I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.
There is a solo on 'Spiders,' albeit a kind of a non-traditional solo, but that's what I love.
The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
I guess the solo from 'Achilles Last Stand' is in the same tradition as the solo from 'Stairway to Heaven'...it is on that level to me.
Nadine from Girls Aloud could definitely go solo - she's the one with the talent and will have a successful solo career.
The turnaround is when you have a solo in betwixt the verses. You stoppin' to have a solo.
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