A Quote by Mark Addy
A lot of people say that comedy doesn't travel well. I found it very accessible.
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A lot of people say that comedy doesnt travel well. I found it very accessible.
There is a whole genre of funny travel writers - that's very popular. There's Bill Bryson and people who follow that route and sell travel writing through making people laugh. It's a very difficult group to take. The line between comedy and mockery is sometimes a bit thin.
Space travel is a dream for many men and women. I think my trip will be perceived differently by different genders because for women, a lot of time, not only space travel, it's not accessible to everyone, but is even less accessible to women, there are a lot more barriers for them especially if they live in countries where things like space travel, engineering, any science and technology-related field would be considered a more male-dominated field. And so I want to show them that there is nothing preventing woman, or making them less qualified to be involved in any of these fields.
I travel a lot. If you look at my suitcase, everything is extremely well-packed and well-folded; people who travel with me are impressed at how organized I am. Some would refer to me as a maniac for this.
In the U.K., we have a lot of independent traders, as well as the Hobbycraft chain, but the U.S. has four of five big chains, which makes crafting very accessible for people and makes it a totally different proposition.
I'd love to get into some comedy, but people keep saying, 'You're not funny!' And I say, 'Well, fair enough.' I have done comedy on stage.
I like comedy a lot, and dramatics show how I can really act. Because a lot of people can do comedy - I'm not saying it's easy, but dramatics are very hard.
My comedy isn't clean; it's just friendly. So I get asked to do a lot of clean shows. It's like, 'Oh, I have a clean vibe, but I say gross, weird stuff.' It's just, it's very gentle the way I say it. It's not upsetting or jarring to people, because I'm not very aggressive.
When I was 18, I took a trip to Thailand with a friend. We stayed for a month. Bangkok was very raw for a teenager: there were no cellphones, no Internet, and the only music I had with me was this cassette by Liz Phair. I was writing a lot of poetry, and she embodied a talky style of songwriting that I found very accessible.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I travel to the Middle East, I travel to China, I travel to Europe. It's all very rewarding - the only problem is the travel is getting more and more difficult for me now. Ten years ago I would have enjoyed it a lot more.
You have very short travel blogs, and I think there's a split among travel writers: the service-oriented writers will say, 'Well, the reader wants to read about his trip, not yours.' Whereas I say, the reader just wants to read a good story and to maybe learn something.
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
I'm never going to say, 'Well, I'm never going to do comedy again.' I love comedies, and it's what people know me for, so I love doing it... I don't really think about it in terms of 'Well, I should do this because it's comedy or drama.'
A lot of science fiction is very accessible and very readable, but a lot of people are justifiably put off by the covers of spaceships - though that never put me off.
It's interesting because with a lot of people who I've met in comedy, it seems not to matter what your background is. In terms of formal schooling - I feel like that's a nineteenth century term - but in terms of where you went to high school or college, or wherever, all that really is irrelevant, I have found, in comedy.
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