A Quote by Mark Alan Stamaty
Both of my parents were cartoonists - they met in art school - so I was always drawing and I was the best artist in my class and all that stuff.
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I was quite a shy kid, but I was quite funny at school, and I was really into art. In our class, there were two of us who were good at drawing, and my teacher was like, 'He's going to make a wonderful artist one day, and Noel can make everyone laugh.'
I am not one to generalize, but cartoonists, as a group, exhibit a level of social sophistication generally associated with pie fights. In high school, when the future lawyers were campaigning for class president, the future cartoonists were painstakingly altering illustrations in their history books so that Robert E. Lee appeared to be performing an illegal act with his horse.
My mother was an artist, and I was fairly good at art as a child. I was always the best drawer in class, except in second grade when an artistic genius passed through our school!
Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.
Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, It cant be about being the best, it has to be about the drawing itself, what you do with it. Thats kind of stuck with me.
I was being singled out as the best in the class at this, that and the other, nearly always to do with art. And then I was a very good swimmer from a very early age, and once again the best in the class, and when I was about five or six, I was the best in the school.
Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the right times to boost me to the next level. I was fortunate to be selected for a summer drawing class offered to teens at the Otis Art Institute of Los Angeles County.
My parents both renounced their material lives and were living as monks at an ashram in L.A. when they met each other. So we were always raised in this environment and when we moved to the ashram in Florida it was just like, "Oh, wow, now all of a sudden there's more people like us," because we were growing up in the middle of Texas with our parents, always being the weirdos.
I went to a middle-class school, but my background is working class. I got the best of both worlds, I saw both classes, so I have a pretty fair idea of how people live and why they do it.
When my parents met, my mother was a waitress and my father was a dockyard worker. They were part of that post-war better-yourself generation, so they both went to night school.
I've always been really ambitious, whatever I do. At school, I always wanted to be the best in the class - no, it wasn't enough to be the best in the class, I'd want to be the best in the country.
I was a high school student like Picasso. I was a little eccentric, but I had high ideals. I wanted to get along well with girl, but when I met them face-to-face, I acted cold toward them. I was always in the art room drawing, I wanted to attract someone's interest. I thought that if I got good at drawing I might be able to establish a connection with the world.
It wasn't that I wanted to be an artist. But when I took my first drawing class with the painter Doug Ohlson, I could never finish a drawing.
My upbringing was middle-class but my parents' families were both working-class so I had this odd combination of working-class background but in a privileged position.
My drawing, like that of most cartoonists, is intended first of all to be functional: to create believable space, and communicate information. My strongest point in drawing has always been my ability to show characters' nonverbal communication through facial expression and posture.
Yes, a lot of European cinema and a lot of independent films and art-house stuff. She is a photographer. She is a visual artist and photographer and my dad is, too. My mum, I must credit for showing me good films. With my career, my parents were great and though they were a little wary, maybe, of the acting ambitions they have always been supportive.
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