A Quote by Mark Alan Stamaty
You set your reality and carefully construct it so that it has a certain feeling, an energy. That's the vital, visceral thing about making an illustration.
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If you want to be happy, set yourself a goal that commands your thoughts, liberates your energy and inspires your hopes. Happiness is within you. It comes from doing some certain thing into which you can put all your thought and energy. If you want to be happy, get enthusiastic about something.
Sound is energy, and that energy resonates with your energy. And it gives you a certain feeling.
My feeling about young people who want to pursue a career is - the first thing is do your homework on where it all started. Go back and look at history. Look at why the shows you are loving today happened and the artists you are listening to happened. And do your homework on history. Whether it's musical movies, musical plays, Broadway musical recordings - do your homework! And then, that way you will have an understanding of why, now, certain movies, certain plays, certain musicals are making some sort of sense.
Have you ever noticed when you're in the presence of certain people that you feel better about yourself? Their compassionate energy has the noticeably pleasant impact of simply making you feel really good about yourself. You'll impact others with this energy of compassion as you develop your connection to intention.
There's a great energy and drive that takes precedence in a lot of rock and pop. It's about making a strong visceral connection. That's something that I think great classical music can have, too.
We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.
An artist's voice, communication, that's very important. The learning, the building of your energy to communicate deeper and deeper even without words, the expanse of your source-spark energy to reach people at deeper energy levels is very beautiful to learn about since it's our mission here as artists to help beings transcend limitations and any feeling, thing keeping their love down to show them that we are all artists with very special sides of energy light from the creator.
I like that feeling when you’re making art, that you’re taking the energy out of your body and putting it into a physical object. I like things that are labor-intensive : you make a little thing and another little thing and another little thing, and eventually you see a possibility.
Each thought you have informs your energy, and your energy manifests into your experiences. Your thoughts and energy create your reality.
When you will, make a resolution, set your jaw, you are expressing an imaginative fear that you won't do the thing. If you knew you would do the thing, you would smile happily and set about it. And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years - the very thing you dreaded and set your jaw against.
You're not supposed to look perfect while you're making babies. Making babies is the perfection. It's about feeling good in clothes and knowing you can get dressed up in the evening, work it for a minute, and maybe get back in a certain pair of jeans. But there's just no such thing as perfection.
Size is not a reality, but a construct of the mind; and space a construct to contain constructs.
You get a feeling on certain trails, when you're reacting like you and your machine are just one thing. It's the feeling of physical exertion and speed and technique all wrapped into one.
I think I have to work to write a happy song. I write them carefully; they're simple and they're about when it's fun to walk down the street. You know? Because that's the best thing about when you're happy. It's just one little thing that makes you happy, and you're making friends. The kind of thing I can do is capture this moment.
My life is so random. Certain things I can't even explain. There's a thing about being lucky and... I feel like certain things are just, like, in your cards. I'm just walking the path that's already set.
A lot of what 'Funny Girl' is about, for me, is the experience feeling very happy doing a certain thing with a certain group of people. That partly came about because of having really positive experiences writing movies.
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