A Quote by Mark Alan Stamaty

I like to follow my own muse. — © Mark Alan Stamaty
I like to follow my own muse.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
Don't be different just for different's sake. If you see it differently, function that way. Follow your own muse, always.
Musicians are kind of like pirates, you know? You have to be free to follow whatever your muse is, or wherever life is pulling you - especially if you aren't in, like, U2, and making millions and millions of dollars.
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.
A lot of the time you just have to follow your creative muse and do what you think is best for the story.
Even I have certain depictions that I personally don't like, but I don't believe artists should necessarily follow a particular person's preference. They should focus on the things they like and follow their own desires.
As someone whose music is connected to his personal growth, I feel an obligation to follow this muse wherever it leads.
In spite of its romantic frisson, the position of muse is very vague and largely thankless for the muse herself.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
I find it a great and fatal difference whether I court the Muse, or the Muse courts me. That is the ugly disparity between age and youth.
I'm not in control of my muse. My muse does all the work.
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