A Quote by Mark Alan Stamaty

In real life, people are going by fast and it's hard to draw them from my eye alone in a split second. — © Mark Alan Stamaty
In real life, people are going by fast and it's hard to draw them from my eye alone in a split second.
I know that people's judgments are fast, and in a split second I will ruin it.
It's really hard because you only have that split-second to determine what to do. It's crazy. I try my best to use clear judgment and make clear decisions, but a lot of those collisions are unavoidable. You're either going to let them catch it and take a step to see what's going on, or there's going to be a collision.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
Practice all movements slow and fast, soft and hard; the effectiveness of Jeet Kune-Do depends on split-second timing and reflexive action, which can be achieved only through repetitious practice.
Some of the best scenes in drama take almost no time - helping to illustrate that life-changing events in real life often occur in a split second, after which nothing is ever the same.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
I always find the more you can draw on real life characters, people, situations, it works better. Certainly for designing a character, I prefer to draw on real people rather than other guys I've seen in movies, rather than 'here's my version of Clint Eastwood' or whoever.
I think what happens is that some writers, who are so great in television or whatever, once they become successful, they get out of the loop of real life. It's real hard to draw on something to write.
I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
I like to draw from experiences in my past, but that alone is quite hard and complicated, because I don't want to say anything incriminating or too offensive, but I want to give people an insight into my life and how it was.
If you fall in love with someone, it doesn't matter who they are. I've had lots of girlfriends who weren't in the public eye. It is hard, all the intrusion: you have a row with someone, and even though you've sorted everything out, you get the are-they-going-to-split headlines for the next ten days.
I am the camera's eye. I am the machine that shows you the world as I alone see it. Starting from today I am forever free of human immobility. I am in perpetual movement. I approach and draw away from things-I crawl under them-I climb on them-I am on the head of a galloping horse.
Learning first occurs as a part of emotional interactions; it involves the split-second initiatives that children take as they try to engage other people,interact with them communicate and reason with them.
Many times, when you go to arrest somebody, they pull their gun, and here I am, a federal agent, telling them to drop their gun. But the gun is like that. I give them a split second to drop it, and they drop it. I could have shot them - who is going to complain?
The way I look at love is you have to follow it, and fall hard, if you fall hard. You have to forget about what everyone else thinks. It has to be an us-against-the-world mentality. You have to make it work by prioritizing it, and by falling in love really fast, without thinking too hard. If I think too hard about a relationship I'll talk myself out of it. I have rules for a lot of areas of my life. Love is not going to be one of them.
All real and wholesome enjoyments possible to people have been just as possible to them since first they were made of the earth as they are now; and they are possible to them chiefly in peace. To watch the corn grow, and the blossoms set; to draw hard breath over plowshare or spade; to read, to think, to love, to hope: these are the things that make people happy.
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