A Quote by Mark Barrowcliffe
In a way, the road between Huaraz and the lodge is a metaphor for Peruvian politics. It used to be in good repair, and in some places still is.
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Places like the Peruvian Amazon, they are really cut off by no road access.
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.
In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.
I used to pile on the detail, which was probably a way of hedging my bets while I was working out my own way of doing things. I've cut it back over the years, but some of the descriptions can still be still pretty dense. So the answer is somewhere between fairly detailed and maybe too detailed. Fortunately, people are seeing the final pages and not my raw script.
The road to ruin is always in good repair, and the travellers pay the expense of it.
There are places I'll remember All my life though some have changed Some forever not for better Some have gone and some remain All these places have their moments With lovers and friends I still can recall Some are dead and some are living In my life I've loved them all
It used to be that readers were relegated because they considered themselves far above society, and so the metaphor of the ivory tower developed. Now there's still this idea that the reader doesn't take part in the social game and in politics, the res publica, but for other reasons: he doesn't do it because he's not making any money.
My aunt used to say, "It's between me and my god; it's got nothing to do with you." It was a good enough answer for me as a snot-nosed college kid angling for a religious debate, and I still think it's a good way of putting it.
Lakoff's idea is that most of our thought is guided by underlying conceptual mappings between two domains that share some content, that overlap in the sets of their attributes. ... Contrary to the assertions of Lakoff and some of the cognitive metaphor theorists, people can read through to an underlying mapping, but only when the surface metaphor is new to them.
Often, we try to repair broken things in such a way as to conceal the repair and make it “good as new.” But the tea masters understood that by repairing the broken bowl with the distinct beauty of radiant gold, they could create an alternative to “good as new” and instead employ a “better than new” aesthetic. They understood that a conspicuous, artful repair actually adds value. Because after mending, the bowl's unique fault lines were transformed into little rivers of gold that post repair were even more special because the bowl could then resemble nothing but itself.
I was Lady Gaga way before her time. I had a wee kettle for a handbag. Didn't everyone, at some point? One of the teachers used to call me Dame Flora Robson because I had this big, long Victorian skirt. And I wore a Peruvian hat. It was the 1980s - people were wearing lots of lace.
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to walk, you're some place that's already interesting. You're not just between places. Things are happening.
Recently Mr. Mawdsley’s donkey escaped from his stall, raced down the road, and somehow found his way into an enclosed pasture. Mr. Caird’s prized mare was innocently grazing when the ill-bred seducer had his way with her. Now it appears the mare has conceived, and a feud is raging between Caird, who demands financial compensation, and Mawdsley, who insists that had the pasture fencing been in better repair, the clandestine meeting would never have occurred. Worse still, it has been suggested that the mare is a shameless lightskirt and did not try nearly hard enough to preserve her virtue.
My journey has been a long one and has still got a long way to go. I think we are so used to defining ourselves. That's the way society works within these binaries and it's taken me a long time to realize that I exist somewhere in between and I'm still not sure where that is yet.
Among other things, drag queens are living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be. Drags are ambulatory archives of ideal moviestar womanhood. They perform a documentary service, usually consecrating their lives to keeping the glittering alternative alive and available for (not-too-close) inspection.
I used to think things were the way they are for a reason, that there was some hidden meaning. I used to think that this meaning governed the way the world was. But it's an illusion to think that there are good and bad reasons. Grammar is a lie to make us think that what we say is connected by a logic that you'll find if you study it, a lie that gone on for centuries. Because I now know that life just lurches between stability and instability and doesn't obey any law.
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