A Quote by Mark Billingham
I'm a city boy. I grew up in a big city, in Birmingham, and I want to write about a city. It's much richer tapestry for me than green fields. Fields and wild life make me feel ill. I don't like - I don't want to write about that stuff.
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This is the city of the underdog champion, so they want to see the next person out of their city blowing up and making I feel like, man, Atlanta's a big city, but it's so small.
People have these perceptions; maybe they've been here for a day, or have only heard about it. It was like when I first came to work here. You want to see the clean city that is always talked about, how nice the people are, the restaurants, the vibe, how diverse the city is. That's what we want to show: what an enjoyable city it is, what a great city it is. Forget about basketball.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
I don't write police stories, per se, but I usually write about areas that are very panoramic, like Harlem, or the Lower East Side, or a small urban city like Jersey City.
I walked down Paseo del Prado, losing myself to the sights, sounds, and dense magic of the city. There's something weirdly calming about being alone in a big city. It made me feel like the universe was hugely generous, and that my species was so damn smart to have constructed such a beautiful city.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
I'm a big-city boy. What I like is big cities. It's not just what I like. It's what I write about.
I'm from New York City. I grew up in the city. Suburban life was very odd to me.
I write for people who aren't Christians. I write for non, new, and nominal Christians who are curious about the Bible and Christianity. They're like New York City. If I can make it there, I can make it anywhere. If I can write a book about the Bible that's engaging enough to attract people who aren't even Christians, I'm betting Christians will want to read it, too.
People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city.
Madrid is not as big as London, but it is true when you are coming from a big city like Madrid, nothing is going to surprise you, and I am very happy to move to a city like London. It is a big city, and you can do everything you want with the respect that the English people always have.
I think the city isn't talked about enough, there are not enough people championing Birmingham. When I was at university in Manchester I wasn't a fan, I was a bit down on my home city. But as I've got older I love living here. It's easy to get around the country to gigs, and it's a calming, friendly city.
I grew up in New York City, and I'm a city boy, born and bred.
When I'm in Los Angeles, it's hard to be creative. For me, New Orleans is one of those places that's like a muse. You can hear music on the streets. There's a certain character the city has that inspires you when you're needing to write lyrics and come up with melodies and come up with rhythm and blues. The city has a pulse and it's an inspiration for me.
I grew up in New York and have lived here all my life. I think it's the best city in the world and can write about it with gusto and fervor and passion.
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