A Quote by Mark Billingham

Having worked as both comedian and crime writer, the one thing I know is that both involve the delivery of a performance. — © Mark Billingham
Having worked as both comedian and crime writer, the one thing I know is that both involve the delivery of a performance.
When I paint I do a different thing than when I design. But both involve aesthetics, both involve thought, both involve planning.
When you're smart on crime, you start off by recognizing that both the victim, first of all, the victim, but also the person who did the crime are both human.
The great thing about being married to somebody like Christina is that we both are on the same page. We're both energetic, we're both busy, we're both 100 miles an hour.
The most difficult thing about living as a writer is precisely 'having to write.' Pretending to be a writer is easy. Living freely, reading many books, going on frequent trips, cultivating minor eccentricities... but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers.
Having worked as a labor and delivery nurse...I've seen ultrasounds...you know that those babies are real.
Both my parents were agnostic. My mother was kind of a Buddhist. She had some spiritual tendencies, but they were kind of flaky - New Agey, you know? Which is partly why I'm suspicious of that sort of thing. I'm skeptical of any spiritual practice that doesn't involve other people and doesn't involve some sort of consistent tradition.
This movie [ Buried] is strange, because it's such an extraordinary situation, both as a character and as an actor. Both of us are going through an extraordinary situation at the same time, and it was odd. It was weird not having a co-star to cut away to for the most part. It just forces you to never have a deficit in the performance.
I have two friends named Matt. They're both scouts in the cavalry. They both served in the same section of Iraq. They both worked with the same Iraqi translator. And yet, if you talk to them, their stories couldn't be more different, because one was there in 2006. One was there in 2008.
I feel like most people aren't either/or, they're both/and. You're both magnanimous and petty. You're both kind and cruel. You're never just one thing.
Herzog and Malick both have this very unique naturalist intentionality to their process. It's about creating the mood, creating the focus and having discipline, but not prescribing what the performance was supposed to be. Neither of them are really directing their actors into a performance.
There are many differences between medicine and teaching, but they have much in common. Both involve craft and personal expertise, learned through experience; but both can be informed by the experience of others.
A potlatch is similar to a court case in that both are prohibitively expensive; both involve lengthy speeches and the vigorous examination and debate of the actions, rights and legal responsibilities of the participants. One has food, singing and spiritual rites; the other, not so much.
You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.
Songs are snapshots of what you’re going through, and mine involve questioning, searching for completion, joy, and truth, and desperation for relief. I’m satisfied with my progress as a writer and a human being, and I know I’m going to get better at both. There will be times when I’ll feel like I’m not improving, and I’ll get through that.
I feel like I go from strength to strength. What exists in between is the stuff that makes it worth it. I don't know what a triumph is unless I know what a failure is. I welcome both in equal measure because I know they're both temporary anyway. I know they're both unavoidable anyway.
Created by writer Beau Willimon, who's worked on several political campaigns, 'House of Cards' cannily exploits the current widespread cynicism for our politics, catering to a public scorn that's warranted and also glib in the sort of cheap pox-on-both-houses way that means not having to pay attention.
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