A Quote by Mark Billingham

Crime is the biggest genre in libraries and in bookshops, and it is hugely varied. — © Mark Billingham
Crime is the biggest genre in libraries and in bookshops, and it is hugely varied.
Libraries really are wonderful. They're better than bookshops, even. I mean bookshops make a profit on selling you books, but libraries just sit there lending you books quietly out of the goodness of their hearts.
I despair of ever getting it through anybody's head I am not interested in bookshops, I am interested in what's written in the books. I don't browse in bookshops, I browse in libraries, where you can take a book home and read it, and if you like it you go to a bookshop and buy it.
I grew up on second hand bookshops and libraries.
I'm grateful that I've enjoyed the support of libraries, bookshops and institutional funders.
I wanted to look like the most diverse writer in comics! Spy genre, space genre, crime genre, and then you realize that it's all actually the same thing.
It's actually as simple as this. New authors, building their customer base, need physical bookshops. Physical bookshops are lovely tactile, friendly, expert, welcoming places. Physical books, which can only be seen and handled in physical bookshops, are lovely, tactile things. Destroy those bookshops, and the very commercial and cultural base to the book industry is destroyed. Once and for all. Like Humpty Dumpty, it can never be put together again.
There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag...
I don't think the biggest crime is to not sympathize with people. I think the biggest crime is to not be interested.
Every region in the world faces challenges - and Africa is hugely diverse, so its own challenges are varied.
I spent a lot of time at my grandparents in the school holidays, and the only books in the house were a copy of the Bible and Agatha Christie's 'Murder at the Vicarage.' I developed a taste for murder mysteries and then later discovered libraries, second-hand bookshops, and jumble sales.
One of the biggest lies in the world is that crime doesn't pay. Of course, crime pays.
I was brought up in a home where I saw my parents read and I was taken to bookshops and libraries, so I grew up feeling very comfortable around books. Also, Ireland is a country which has honoured its writers and poets, so when someone says they wanted to be a writer, its not mocked or looked down upon.
I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
My preferred genre of reading is crime thrillers - books by Harlan Coben, Jo Nesbo, David Baldacci, James Patterson, Ashwin Sanghi and a few others - and I write crime thrillers.
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