A Quote by Mark Bostridge

This is a glorious biography ... The time is ripe for a new biography of Edith Wharton of this intimacy and on this scale ... Lee the biographer pursues her subject down every winding corridor, into every hidden passage and dark corner ... Her critical exploration of Edith Whartons work is dazzlingly assured ... A feat of exhaustive research, and finely tuned to Whartons creative achievement at the same time ... [Wharton] could scarcely have failed to be impressed by ... its artistic sympathy, its sonorous depths, and its soaring conception.
In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.
I live by Edith Whartons rule to get rid of anything neither useful nor beautiful. So I put the TV out on the street.
The savagery and power of Edith Wharton's ghost stories surprised me.
My two goals are to read everything Edith Wharton has ever written and to have an art collection.
'The Buccaneers' was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
The Buccaneers was an Edith Wharton novel, and she never finished it, and a screenwriter adapted it for television.
I live by Edith Wharton's rule to get rid of anything neither useful nor beautiful. So I put the TV out on the street.
If Edith Wharton lived in the Age of Innocence, surely we now live in the Age of Deception.
Edith Wharton was a natural story-teller. As plots do in real life, hers flow directly from character. Her prose is so effortlessly elegant that you're rarely aware as they purl by that the sentences are so pretty. More concerned with what is put than how it is put, she also understood that you only say anything at all when you say it well.
I love Edith Wharton. And I love old New York. Anything to do with New York.
Henry James and Edith Wharton are huge for me because they gave me a way to understand America while still respecting the European backgrounds of my relatives.
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.'
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.
The late Tom Wicker's biography of Nixon, called 'One of Us,' is really quite good: you see the biographer discovering dimensions of sympathy for his subject that he hadn't expected to feel.
"A child!" said Edith, looking at her. "When was I a child? What childhood did you ever leave to me? I was a woman - artful, designing, mercenary, laying snares for men - before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt. You gave birth to a woman. Look upon her. She is in her pride tonight."
Only the fact that we are unaware how well our nearest know us enables us to live with them. Love is the most impregnable refuge of self-esteem, and we hate the eye that reaches to our nakedness. Edith Wharton ~ The Touchstone
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