A Quote by Mark Bradford

About the time I was 7, I got really into black-exploitation films, so I made my own Wonder Woman, but I made her black. — © Mark Bradford
About the time I was 7, I got really into black-exploitation films, so I made my own Wonder Woman, but I made her black.
My mother was a woman. A black woman. A single mother. Raising two kids on her own. So she was dark skinned. Had short hair. Got no love from nobody except for a group called the Black Panthers. So that's why she was a Black Panther.
It was a good script [Something New]. We have not seen an interracial issue dealt with from a black woman and white man's perspective in this way. And, usually, it's a black man, white woman. I loved the fact that it wasn't about the couple being against the world or the couple against the family. I loved the fact that it was her dealing with her own prejudices that came up, her own guilt, her own shame and embarrassment about what her peers thought.
I get comments all the time on Twitter, and fan mail about how amazing it is to see me play Iris West: a strong woman. It's not really about her being black; she just happens to be black.
Blaxploitation films were black films targeting black people. They were films made to appeal to a culture in a way that was supposed to be unfiltered.
There is an obsession with black tragedy. If you see a black movie, it's typically historical, and it tends to deal with our pain. And listen, there have been some excellent films made in that vein, and there are some painful parts of black history that should be explored, but it is kind of weird that only those films bubble up to the surface.
There's something very important about films about black women and girls being made by black women. It's a reflection as opposed to an interpretation.
When you say 'the man of the house,' the black woman has been the woman and the man of the house, because black men have so often had to spend all of their time and energy working and trying, at least, to give their families the basic needs. So black women, I find, are not really concerned about women's liberation.
A big misconception is that a black hole is made of matter that has just been compacted to a very small size. That's not true. A black hole is made from warped space and time.
I'm an African woman, I suppose these thoughts torture me more than they do black American people, because it's like watching my own children trapped in a car that's sinking to the bottom of a lake and being impotent to save them'the black Americans have their own holocaust going on. You see the black man erasing black children from the landscape, you see black women desperately trying to get the black man's attention by wearing blonde hair and fake blue eyes, 500 years after he sold her and their children across the ocean.
There’s something very important about films about black women and girls being made by black women. It’s a different perspective. It is a reflection as opposed to an interpretation, and I think we get a lot of interpretations about the lives of women that are not coming from women.
I can no more disown (Jeremiah Wright) than I can disown the black community. I can no more disown him than I can my white grandmother - a woman who helped raise me, a woman who sacrificed again and again for me, a woman who loves me as much as she loves anything in this world, but a woman who once confessed her fear of black men who passed by her on the street, and who on more than one occasion has uttered racial or ethnic stereotypes that made me cringe.
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
I want history to remember me... not as the first black woman to have made a bid for the presidency of the United States, but as a black woman who lived in the 20th century and who dared to be herself. I want to be remembered as a catalyst for change in America.
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