A Quote by Mark Calcavecchia

If I had hit it like I wanted to I'd have holed it. — © Mark Calcavecchia
If I had hit it like I wanted to I'd have holed it.

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My dad, Billy Ray, he had a huge hit in the '90s with 'Achy Breaky Heart.' And, you know, as a kid I always said I wanted to be just like my dad. And it's crazy - just be careful what you wish for because I had the same thing he had, which was a huge hit off his first album.
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
If you're going to be pigeon-holed as anything as a woman, it's good to be pigeon-holed as someone with an acid tongue who gets things done.
I believe that one version of the good in life can be defined by the moments I sometimes had playing tennis as a sixteen-year-old. You'd be out on the court and for an hour, two hours, sometimes an entire roasting hot day, and every single thing you hit would go in. Hit that ball as hard as you wanted, wherever you wanted, and it went in.
When I graduated, I was going to go to school for law, but had such an affinity for hip-hop. It was like walking into a casino and I decided to bet everything on hip-hop, and I hit! My hit wasn't just a hit for me, it was a hit for everyone in this culture.
We often get pigeon-holed as a tough guy, or whatever else. I've been pigeon-holed as a heavy and serious, and almost a baddy, but not quite a baddy, over the years of my work in television, particularly.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
I went there anyway-knowingly, willingly-because I wanted a number one hit. I wanted what Metallica had, even if it meant selling a piece of my soul to the devil.
I was trying to find ways of not being pigeon-holed like that. I didn't want to be tied down by my accent. I wanted to play Americans. I don't want to ever be doing the same thing twice, and I just didn't want to repeat myself.
I never wanted all this hoopla. All I wanted was to be a good ball player and hit twenty-five or thirty homers, drive in a hundred runs, hit .280 and help my club win pennants. I just wanted to be one of the guys, an average player having a good season.
I really have always wanted to be a parent, and when I hit 36 and had just ended a relationship, I remember thinking how much I still wanted it. But I thought I'd adopt.
I never wanted to stay in one genre; I never wanted to be pigeon-holed or defined as the actor who only worked in one genre. I want to be able to work in all different genres. For me it's fun, and that's how I grow as an actor.
Over all these years, I have never had a hit movie, never had a hit television programme and never had a hit record. To my way of thinking, that means success has not been achieved. I have made no mark of my own creation. This is something to be considered.
'Fruitvale' set the bar for what I wanted to do with my career, which was to make films that had consciousness and messaging in an entertaining package. Once I hit that mark, I never wanted to go back.
I can work as a writer, but I wanted to do stand-up. And I knew I could, at worst, work as a stand-up. And I like to travel, and I knew I wanted to do an hour special, so in order to get ready for that, I had to hit the road.
I wanted to travel. I wanted hit records. I wanted success. I wanted respect, but not credibility - that's one thing Boyzone never looked for.
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