A Quote by Mark Canton
To be honest, I found the 3D in 'Avatar' to be inconsistent and while ground breaking in many respects, sometimes I thought it overwhelmed the storytelling. Technology aside, I wish 'Avatar' had been more original in its storytelling.
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I’d designed my avatar’s face and body to look, more or less, like my own. My avatar had a slightly smaller nose than me, and he was taller. And thinner. And more muscular. And he didn’t have any teenage acne. But aside from these minor details, we looked more or less identical.
Whether I appear in 'Avatar 2' or 'Avatar 3', I always feel I'm a part of the 'Avatar' team.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
The Avatar is a child to the children, a boy to the boys, a man among men, a woman among women, so that the Avatar?s message might reach each heart and receive enthusiastic response as Ananda. It is the compassion of the Avatar that prompts His every action.
The remarkable thing about 'Avatar' is the degree to which the technology is integral to the story. It is important to show Pandora and its Na'Vi natives in 3-D because 'Avatar' is fundamentally about the moral necessity of seeing other beings fully.
The 3D thing has been abused slightly, I think. There is no question about that. 'Avatar' did it magnificently, and then, of course, there was the old 'leaping on the bandwagon' thing where there have been one or two films which, let's face it, all know look bloody awful with the 3D.
Aang is an Airbender, and he became the Avatar after the last one died. He has to realize his destiny as the Avatar by mastering all of the elements - earth, fire and air. For me, I feel like I'm mastering all the different styles or elements of MMA. It's my destiny to become the Avatar of this game.
Storytelling is storytelling. You still play by the same narrative rules. The technology is completely different. I don't use one piece of technology that I used when I started directing.
The only sci-fi movie that I've ever been offered that, had circumstances been different, I would have definitely done, was 'Avatar.' And I literally couldn't do it because of my schedule. But listening to James Cameron talk about 'Avatar' was so fascinating. Because he literally invented the world in his mind - and it literally existed.
I wish that more people were willing to turn down upfront money in exchange for doing things that are more original. Turning down a seven-figure check has a ripple effect on the budget, which has a ripple effect on the storytelling. The higher the budget gets, the fewer storytelling risks you're able to take.
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.
The Avatar appears to be human and we are misled into thinking of him in these terms but the Avatar himself warns us against this error.
If I could be any avatar and go into a social virtual space, I think I would try to be my avatar from 'Ready Player One' 'cause why not? He's already got the windy hair.
I find a certain peace by thinking of me in public as sort of an avatar self. You out there can have the avatar me.
I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
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