A Quote by Mark Cavendish
I don't like being in London too long, because everybody's just looking straight forward, at nobody else. That freaks me out a little bit.
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People don't mind being in prison as long as no one else is free. But stage a jailbreak, and everybody else freaks out.
I did a pilot for Judd Apatow when I was 20 years old, so 18 years ago. The same year that he did that pilot, he made another pilot called Freaks And Geeks.Judd felt bad for me because I was living in L.A. by myself. Not only did he put me in an episode of Freaks And Geeks, but he was like, "Hey, just come hang out. I'm on set, getting to know everybody." I started hanging with everybody, and they were all either my age or a little younger. Seth and I just got along really well - Jason Segel and I, too - and before you know it, it was a really strong, solid group of friends.
I just banged it a little bit on a helmet. And you know, if you get your throwing motion and momentum going at a helmet it makes it hurt a little more and it freaks everybody out because it's your throwing shoulder, but honestly, it feels great.
I'll be friends with anyone as long as they're not an asshole. But with my fans, they all try and add me on Facebook. And I won't have it, because that's personal. When I'm doing shows, I'm not shy to hang out with my fans. I'll finish and be out there within ten minutes talking to people. But when people start invading my space, it freaks me out a little bit.
I take a little bit from everybody and add that to my life to make me, me. I wanna be nobody else but Future. When you look at me, I want you to say, 'Future.' The way I talk, the way I dress, there's nobody in the world but me.
I just wear jeans, big motorcycle boots and T-shirts that are way too big for me. I like anything that has lived a little bit, that has traces of life on it. Knitwear that's a tiny bit too long because you've pulled it with your hands, or jeans that are starting to get holes.
Everybody has been told already that they're too shy, too aggressive, too emotional, too reserved. They know what their fatal flaw is. They know the one thing to do to get better. But they just don't commit to changing because they feel a little bit in love with it, a little bit in love with the way they've been.
I like seeing those 300-pound women that toss those discus. I just feel like they're so scary. It freaks me out a little bit to know that there are women like that.
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
I am just like everybody else...because there is nobody like me in the whole world.
Obviously I have a bit of an awareness because I go to the internet like everybody else but I don't get too involved in the details of those conversations just because it can hurt you if you stumble on something that's not nice.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
We moved there a year ago, just as a weekend place. Then we decided to move out of London completely. We will eventually have to work it out a bit more, because you can't have a little boy living with his sisters like that, can you? But we like the idea of closeness.
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.
You okay?" Anton asks, looking at me like he's trying to figure out if I'm drunk. His plans depend on me. I look as blank as possible and hope that it freaks him out. No point in my being the only miserable one.
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