A Quote by Mark Coleman

A baroque art-rock bubblegum broadcast on a frequency understood only by female teenagers and bred field mice. — © Mark Coleman
A baroque art-rock bubblegum broadcast on a frequency understood only by female teenagers and bred field mice.
I would define the baroque as that style that deliberately exhausts (or tries to exhaust) its own possibilities, and that borders on self-caricature. The baroque is the final stage in all art, when art flaunts and squanders its resources.
The number of humble-bees in any district depends in a great degree on the number of field-mice, which destroy their combs and nests; and Mr. H. Newman, who has long attended to the habits of humble-bees, ... says "Near villages and small towns I have found the nests of humble-bees more numerous than elsewhere, which I attribute to the number of cats that destroy the mice." Hence it is quite credible that the presence of a feline animal in large numbers in a district might determine, through the intervention first of mice and then of bees, the frequency of certain flowers in that district!
Some people find it easier to picture the stream of inspiration as being like radio waves of all sorts being broadcast at all times. With practice, we learn to hear the desired frequency on request. We tune in to the frequency we want.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
What I like about baroque is the reemergence of pre-Christian religion. The art of baroque mixes ancient pre-Christian myths with Christian imagery and each reflects upon the other.
Scientists have found a way to keep middle-aged female mice from going through menopause. Now they're working on a way to keep middle-aged male mice from buying expensive sports cars.
Whatever you got you have to accentuate. I ran my female card up and down the ladder my whole career, because I was in a man's world. It was worked by women but owned by men. I was the only female owner in my field at that time.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
Rock n' roll was my art school. For many people from working-class backgrounds, rock wasn't a chosen thing, it was the only thing: the only avenue of creativity available for them.
My inner rock chick has always been there. I grew up listening to a lot of rock music through my sisters, who were teenagers while I was young, so they had control of the radio.
There are many things that only teenagers can do. Many things that they learn while they are teenagers will become important tools for them after they grow up, and I hope teenagers would make choices that they will not regret in the future.
Some of my earliest political feelings were based on the anti-Japanese bubblegum cards I got. There were also Spanish Civil War bubblegum cards. Awful.
My first tour I did was The Warped Tour, and I was likening myself to the bearded lady at the circus because not only was I an actor touring, doing rock n' roll, but I was also a female front person making really muscular, male-dominated rock music.
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