A Quote by Mark Coleman
I started meditating and as soon as I turned that lens of attention inwards, it was like, okay, game over. This is what I'd been looking for to resolve some of these inner conflicts and pains.
Related Quotes
It's OK to know what's best for yourself. That was my biggest issue. I was looking to other people to tell me what I needed. When I finally turned inwards and took responsibility for the way I was feeling, that's when everything started changing.
Fortunately analysis is not the only way to resolve inner conflicts. Life itself still remains a very effective therapist.
Pay attention to the voice within. . . . Sometimes the voice of your conscience gets drowned out by crowd noise or by the pep rally of temptations. And your mind may put some selfish spin on the ball, rationalizing that it's okay to veer away from the ethical route. When we run into conflicts between ethical "shoulds" and our selfish "wants," we all argure out ways to con our conscience. But take pains to listen, because it has your best interests at heart.
I deal with conflicts that irritate people and give them stress, like the dispute over a car payment. I can resolve those cases in a moment.
Okay. I'll deal with Benjamin. You're safe, okay? Nothing's gonna happen." His mouth pulled tight against itself. And now I was having some sort of heart attack. Because when he looked at me like that, my chest started to feel like it was turned inside out. "Promise." And that—the promise, the way he said it with utter certainty—was enough to make me tear up again.
The role of art in society is not to resolve conflicts; rather, it is to express these conflicts and antagonisms.
Science cannot resolve moral conflicts, but it can help to more accurately frame the debates about those conflicts.
Alcohol causes conflicts, firearms resolve conflicts.
The precise effects of lensing depend on the mass of the lens, the structure of space-time, and the relative distance between us, the lens, and the distant object behind it. It's like a magnifying glass, where the image you get depends on the shape of the lens and how far you hold it from the object you're looking at.
I read about eastern philosophy and religion and existentialism. All that introspective thinking got me thinking about the great beyond. That turned my sights from inwards to outwards, and I started becoming interested in the makeup of the universe, and I started reading about astronomy, planets, and galaxies.
Honestly, I guess if you looked at my CV, I've been doing independent movies since I started. I think that I kind of took a few steps back from Hollywood as soon as it all started to come my way because I wasn't quite ready for the attention.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
When I'm meditating on an idea, I try to let the idea completely saturate me to the point where I feel like I'm covering myself in it or totally immersing myself in it, so that everywhere I'm looking, everywhere I'm going, it's through the lens of that idea. And that's sort of what I do with the music - I try to lose myself in it.
I can't help but to write, I have a inner need for it. If I'm not in the middle of some literary project, I'm utterly lost, unhappy and distressed. As soon as I get started, I calm down.
For the scientists, they're kind of puzzled and pleased that somebody finds their work interesting. It makes it fun for me. I feel like I've sort of turned over a stone that hasn't been turned over.
I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.
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