A Quote by Mark Cuban

One problem people have is that they lie to themselves. You may think you are more talented then the next guy. Which is exactly what the next guy thinks as well. Rarely is talent enough. You have to find ways to make yourself stand out. You do so by playing to your strengths and making people aware of those strengths. Always remember that no matter how many times you get shot down, you will get smarter, better and you only have to be right once to be successful.
One problem people have is that they lie to themselves. Rarely is talent enough. You have to find ways to make yourself standout. You do so by playing to your strengths and making people aware of those strengths.
If you make the All-Star team and you get the label next your name, for whatever reason, people will think, 'Oh, yeah, he's good now.' But if you don't have it, it's, 'Well, he's never made it, he's never done anything, so why would you think he's any better than this guy or the next guy.'
At Facebook, we try to be a strengths-based organization, which means we try to make jobs fit around people rather than make people fit around jobs. We focus on what people's natural strengths are and spend our management time trying to find ways for them to use those strengths every day.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
It doesn't matter how many times you fail. It doesn't matter how many times you almost get it right. No-one is going to know or care about your failures, and neither should you. All you have to do is learn from them and those around you. All that matters in business is that you get it right once. Then everyone can tell you how lucky you are.
You have infinite value and worth! You already know you have strengths and inner resources. But you have even more strengths and resources that you are not yet fully aware of, and they will enhance your life as you become more aware of them. There are many more strengths and inner resources that you can gain and build up from now on.
Writing and reading are the only ways to find your voice. It won't magically burst forth in your poems the next time you sit down to write, or the next; but little by little, as you become aware of more choices and begin to make them -- consciously and unconsciously -- your style will develop.
I think the smart people will get even smarter, and the dumb people will get even dumber. But I think they all will enjoy A Shot At Love With Tila Tequila, no matter how you slice it. You know, we keep eating it up. Some of the most intelligent people I know cannot get enough of it. That's a dangerous thing.
Everyone is in such a hurry. People haven’t found meaning in their lives, so they’re running all the time looking for it. They think the next car, the next house, the next job. Then they find those things are empty, too, and they keep running. Once you start running, it’s hard to slow yourself down.
When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.
A rebounder, or a shot-blocker for that matter, is always at a disadvantage if he tells himself the only way he can succeed is by out jumping the guy next to him. Sometimes he will have to, but most of the time he will not. Most of my rebounds came from positioning, where I was able to get the ball while in heavy traffic.
I think a reason why TV is exciting and getting so much better is because we [authors] get to play off of an actor's strengths and challenge them on their weaknesses. On a feature [film], you don't necessarily get to do that. You hope that they cast the right guy, who comes in and plays your part.
When teams are crowded in the paint, it's very hard to get in there and penetrate, but you got to find ways to get into transition and get into your strengths. It's a lot of thinking out there, you got to make sure you think and strategize.
People do Vine so many different ways. If you're original, then you'll get followers. There are people who do selfie Vines, people who do special effects, people who do artistic Vines. You have to find your niche and people will find it. Of course, it helps if you're 16 and if you're a handsome guy who is taking your shirt off.
I never wanted to get to a point in my life where I knew what was going to happen next. I felt like most people just couldn't wait until they found themselves settled down into a routine and they didn't have to think about the next day, or the next year, or the next decade because it was all planned out for them. I can't understand how people can settle for having just one life.
Whenever commandments are given they create difficulties for people, because by the time they are given they are already out of date. Life moves so fast; it is a dynamism, it is not static. It is not a stagnant pool, it is a Ganges, it goes on flowing. It is never the same for two consecutive moments. So one thing may be right this moment, and may not be right the next. Then what to do? The only possible thing is make people so aware that they themselves can decide how to respond to a changing life.
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