Sometimes not honoring your character makes for really good television, but that also can really upset fans. You have to turn things upside sometimes. As a storyteller, you have to know that sometimes you're going to let your fans and the audience down because you have to do your part in servicing the story.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
Sometimes when we get our ass kicked and we're down, sometimes we stay down, and sometimes we get depressed and sometimes we don't know how to handle it, and sometimes we don't know what's going on, and sometimes we feel like it's not worth going on.
All horses are different - sometimes they have a long neck - so you don't ride the same way on every horse. It depends on their body, and your body, but the object is to get down low so you're aerodynamic, so you call pull from the horse through the head. The best jockeys do that really well, and know how much to push.
What I've noticed is that when people win huge and they have those huge, huge successes, sometimes they forget about the actual acting of it, and sometimes it's hard to come down from their perch.
My horse's jockey was hitting the horse. The horse turns around and says "Why are you hitting me, there is nobody behind us!"
Sometimes there's not a direct transfer of skills from business to government, but sometimes what happened in business would be really bad for government.
I focus on consumer Internet. Sometimes it's a working prototype; sometimes it's an idea on a napkin. I don't do a ton of deals a year, and I really like working with startups - it's the only way I can invest. It fits my ADD brain.
I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.
The television business, by virtue of what's happened to streaming, it's really turned the traditional television business upside down.
In TV, you look to make characters consistent, but in real life, we're not consistent. Sometimes we're brave, and sometimes we're not. Sometimes we're very aggressive, and sometimes we back right down.
Sometimes you do get tired in the business from all the traveling. No one outside of the business realizes what we go through. ... Sometimes you don't mean to be unkind, but sometimes you're tired and do things you don't mean. I know the real fans understand.
I'm a huge fan of voice memos. I put down many ideas there and sometimes I even use some of those audio files in my actual recordings. You get this really raw energy from voice memos that you can't get when you sit down in a studio with a microphone. There's this sense of immediacy, which I'm really drawn to.
You know, the music business is like the Lotto. Just put your numbers down and sometimes they hit, and sometimes they don't. There's just no rhyme or reason.
Ideas for stories come in really different terms and really different ways for me. Sometimes they're from books, sometimes they're just kind of out of the air, from nowhere, sometimes they're biographical, or sometimes they're other things [everyday life].
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.