I think being a little older and a little more determined and being a little more evolved in my case and maturity in the kind of music I was doing and how I was doing it really helped to keep me grounded and with an audience that could appreciate what I was doing, who grew with me and evolved with me and kept me alive and around.
I think kids relate to me because I have some ability to remain a little bit naive. Even during interviews. Mostly during interviews.
I've been a war reporter and a human rights defender. A professor and a columnist. A diplomat and - by far most thrillingly - a mother. And what I've learned from all these experiences is that any change worth making is going to be hard. Period.
As a reporter, you know the tropes of how stories on poverty work in any country. A reporter will go to an NGO and say, "Tell me about the good work that you're doing and introduce me to the poor people who represent the kind of help you give." It serves to streamline the storytelling, but it gives you a lopsided cosmos in which almost every poor person you read about is involved with a NGO helping him. Our understanding of poverty and how people escape from poverty, in any country, is quite distorted.
I always thought of myself as more of a columnist, but maybe a columnist who does reporting.
The difference between a reporter, a newspaper columnist, a paid speaker, a television personality, a radio talk show host, a blogger, a movie producer, a publicist, and a political strategist, is growing less - and not more - distinct.
I've got to be a little more careful. A little more careful about what I say. Don't have too many drinks.
In 2014, I knew my English was not so bad, but I had no confidence in talking directly to an English-speaking reporter. I had to do a short interview with, I think, Reuters from France. I was so nervous. I practiced memorizing three sentences for two hours. But, I think that these kinds of interviews make me develop a lot, and that helps me.
I think, though, that people will read into a reporter's story a bias that they want to see in a reporter.
Life is challenging. I wish I could tell you that you’ll always be on top of the mountain, but the reality is that there are days when nothing will go right, when not only will you not be on top, you may not even be able to figure out which way is up. Do yourself a favor, and don’t make it any harder than it has to be. In those moments, be careful how you speak to yourself; be careful how you think of yourself; be careful how you conduct yourself; be careful how you develop yourself.
'Amazing Grace' is not a book of interviews or onetime snapshots. It's a memoir of a journey that took me into a place I had never been and took over two years of my life. I don't think the people in this book would have said the things to me that they did if they perceived me as a reporter.
I made a sort-of living in the beginning of my acting career as a reporter. I think my very first job was 'Early Edition' as reporter no. 1, and for 'Light It Up,' I was reporter no. 2.
I went from never doing interviews to doing 10 in one day and standing in front of 60,000 fans. Now people look up to me, and I'm seeing little girls wearing my jersey.
Report, report, report. Dig, dig, dig. Think, think, think. Don't stop being a reporter because you've become a columnist.
I have concluded through careful empirical analysis and much thought that somebody is looking out for me, keeping track of what I think about things, forgiving me when I do less than I ought. Giving me strength to shoot for more than I think I’m capable of. I believe they know everything that I do and think, and they still love me, and I’ve concluded, after careful consideration, that this person keeping score is me.
A woman will toss her head and a man will say, 'Oh she's trying to pick me up,' when in fact she's not doing that at all. So, women actually have to be a little careful with what they do, because men will pick up things that they didn't mean.