A Quote by Mark Dever
Let's say that you want to do everything out of the joy that comes from knowing the Lord. Well, a lot of people aren't built like that emotionally. If they think that some sort of feeling is the basis for their action, they are going to feel justified sitting around, although they are going to feel bad that they have never taken one step of obedience because their heart is cold.
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One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
I have been heart broken. You can't breathe, your eyes are pouring a thousand tears a second and you can't foresee going on with love because you never want to feel this way again. But then you have to look in the mirror and say 'Shut up, eat some ice cream, be by yourself for a while and think about who you are and who you want to be - then, go out and find someone compatible.' A broken heart feels like the worst thing in the whole world, but it really helps you decide what you want and don't want. You learn a lot from a broken heart.
Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me.
I think people have this "It can't hurt to ask" mentality, which is true on some level. I get comics like, "Hey, will you look at these videos of me on MySpace?" I was like, "Well, who's gonna benefit from that? What if I don't like you?" No, I'm gonna write to a stranger and say, "Hi. You like me, and I don't like you. And now I feel bad when I didn't need to feel bad, because you put me on the spot." Or like, "Can I open for you?" Well, I've never seen you work, so no. I certainly made awkward mistakes when I was starting out, and they're just trying to have a career.
I hope one day it's not revolutionary just to be yourself, but I think that the work that's being done around identity and personhood is so important.I feel inspired by people around me who are part of this movement as well: Hari Nef and Rowan Blanchard and Willow Smith and these kids who are really not going to listen to anyone. "I'm just going to say whatever I feel. I'm going to be myself. And if you don't like it, then, you can go screw yourself."
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
I think a lot of the people who feel out of step with contemporary society or feel that they've been left back economically or feel disaffected and are drawn to the Republican Party, they are looking for a news source that will tell them something they would like to hear and then is reassuring, emotionally rewarding, and confirming.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
I've met so many amazing fans in the couple of weeks since the release of my second album, and everyone keeps telling me they feel so connected to the record. I think as an artist, all you really want out of your album is to feel like you're not alone.Because you wrote it for a reason. You wrote it because you're feeling some kind of emotion that you had to get out in the world. And if fans say, "that makes me feel like I'm not alone", then you get to say back to them, "Well, you telling me that makes me feel like I'm not alone either".
The problem a lot of writers have is that they really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.
The problem a lot of writers have is that they really, really enjoy people saying, "You're brilliant." They let their self-perception be dictated by reader response. But if you're going to let other people make you feel good, you're going to end up feeling bad when they say the opposite. You've got to be a cultural stoic. Then you won't be devastated by people who respond negatively. Of course, the downside is that it sort of stops you from being able to enjoy people liking your work.
If I've had a bad day, if I'm feeling stressed out, if I'm feeling overwhelmed - it takes it all away. It's my antidote for everything. If I feel any sort of emotional upheaval, I go for a jog and I feel better.
Well, here's my feeling about shtick. I think sometimes if you don't have it going on too much, you're probably feeling insecure and then you want to add on the shtick. I would say, oh, like Kiss. You try to stand out from the crowd, you're going for a bold statement, you're going for a high concept.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
A lot of people say, "Oh, I get this high from working out." I've never felt that, maybe because I've worked out for so long it's just a norm for me to push super, super hard. I don't feel the euphoria. But at the end, when it's all done, I feel euphoric. I'm like, "Yes, the work is done." You just feel like a glowing feeling inside.
I've definitely had some tough schoots. I'd say everything that I've done has had some sort of challenge that I've had to overcome. But it's the most satisfying feeling once you have and that's what I love about acting, sort of signing on to it knowing that it's going to be challenging.
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