A Quote by Mark E. Smith

The thing with me, I can't talk about my work. I find it very difficult. — © Mark E. Smith
The thing with me, I can't talk about my work. I find it very difficult.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
Pathology is a relatively easy thing to discuss, health is very difficult. This, of course, is one of the reasons why there is such a thing as the sacred, and why the sacred is difficult to talk about, because the sacred is peculiarly related to the healthy. One does not like to disturb the sacred, for in general, to talk about something changes it, and perhaps will turn it into a pathology.
It's hard to pin down what the politics would be, in a way. For me the politics are very visual and felt, thought, seen, but not necessarily put into words. The confusions and conditions within the work are the politics. The fact that a lot of the time the first thing people want to talk to me about is the racial angle, which is a part of the work and I am happy to talk about it, but it's not necessarily the first thing on my mind when I am making something.
I think the thing that I find the most difficult to talk about is religion.
I think it's very important that you have at least some sort of inner thing you don't talk about. That's why I find it distasteful when all these pop stars talk about their habits.
I don't know why the world has changed so much that writers are now expected to appear in public and talk about their work. It's something I find very difficult. And yet, one does have some sense of responsibility towards one's publishers, to the people trying to sell the book.
At times, I get very lonely because people are afraid to talk to me or don't wait for me to write a response. I'm shy and tongue-tied at times. I find it difficult to talk to people who I don't know.
Given that all our lives rest on work that defines us, the business of labor, the wealth that work manifests itself to, I find it odd that not much is written about it. We talk about relationships, damage, adultery, revolution, but we don't talk about work.
It's been difficult for me to get my head around Diana's death or talk about it. After she died, things were difficult, very difficult. We all have our own traumas and get on with it. But when it's there in your face year in, year out, it's hard.
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
She had that thing most people don't have - curiosity. She might not have always got the right answers, but she wanted to ask the questions. It's very hard if you are interested in ideas and all that, ideas and the philosophies of the past, it's very hard to find someone around here to really talk to. That's the tragedy of the thing really I mean, when you think about it. Certainly I can't find anyone around here to talk to anymore. And for a woman it's even harder you see. They can feel very trapped - because of the patriarchy. I do feel everyone needs to have these little chats now and then.
It's very difficult for me to talk about myself, it's not something I enjoy.
It’s difficult to find a person who can accept the truth consistently and more when it is related to him only and that’s what keeps the difference between the real talk and the negative talk very marginal.
I get letters from people about my work. The thing that pleases me most is that my work touches their feelings. In fact, they don't talk about the paintings. They end up telling me the story of their life or how their father died.
It's a shock for me to go through and see all those years of painting my life, which is very personal for me. It's a very difficult thing for an artist to look back at his work.
Words are difficult and photography takes the words away from things. It's difficult to talk about something that seems to come very naturally to you, to explain a process. A moment is really difficult to put on paper.
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