A Quote by Mark Edward

I believe that the art market is in a place similar to the music industry in 2005. Big changes are coming and the art market will most likely be very different in ten years. However, if you are the art equivalent of Van Halen, you don't really have to change anything. But if you are not Van Halen, then it is time to figure how to adapt to all the changes.
Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
At some point I decided I didn't want to learn any more guitar technique. I was at that level where the next mountain there was to climb was Van Halen and I didn't really like Van Halen.
I do remember being a kid and hearing Van Halen. My dad was always playing Van Halen in the car.
That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.
The band changes one guy, sometimes the whole damn thing changes - look what happened when I joined Van Halen.
Classic Van Halen made people want to dance and f**k. Modern Van Halen makes you want to drink milk and drive foreign cars.
I had a solo career before Van Halen. My fan base filtered through Van Halen with me and came right on out the other side with me.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
Within the next five years, I predict major changes in the art world and it will look nothing like it did ten years ago. Just like the sport of skateboarding, the new innovators will define the future. I believe the art world will become more vibrant and usher in a strong healthy market for new works.
To me, the secret of Eddie Van Halen was Alex Van Halen, because the way Alex played was so loose and the way the two of them locked together... Those two are connected so thoroughly they might as well be one person.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
Greg Ginn was certainly a huge influence on my guitar playing. I put him up there with people like Eddie Van Halen. Eddie Van Halen changed everything; I don't necessarily like everything he did, but he definitely changed everything.
I got into rock music at thirteen, listening to Van Halen, learned how to play the electric guitar.
I've never really heard anybody imitating anything of mine the way they do with Edward Van Halen's stuff.
Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator... Art is a personal gift that changes the recipient. The medium doesn't matter. The intent does. Art is a personal act of courage, something one human does that creates change in another.
The art market was very different before the mid-1980s: then, art was all about passion, whereas now it's become a commodity.
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