A Quote by Mark Edwards

In my mid 30's, after a decade or so of giving full time to the music thing and finding myself with about $10 in the bank and no assets other than my musical equipment, I realized I needed to get serious about making a living.
My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
After the first album, I felt like I needed to one up myself - get even bigger features - and I spent six months thinking about that and not making any music.
Opera is musical theatre, and the music can teach you so much about the theatre. Very often I use musical terms to think about how I comport myself on stage: I employ 'rubati,' 'ostinati,' 'cadenze.' Finding these parallels is very fascinating for me.
With Moloko, we tried to be the opposite of what was out there at the time. I like to be different. In the mid-Nineties, music was quite dour and serious, and everything was dressed down. So we went the other way. Our first record was about not wanting to do four-to-the-floor dance music.
To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.
Since the early 1990s, I had been very worried about the state of the environment, and by the end of that decade, I realized I needed to do something about it.
Finding out about Bjork was like finding out about some rare and magical thing that I had never encountered living where I was living at the time, being surrounded by the people I was surrounded by.
I'm dead serious about my craft and just really serious about making music in itself. I take pride in making songs and albums where no two songs sound alike. That's the challenge and that's what it's all about, to keep it original and fresh and funky.
To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
I got serious about performing, and I got serious about acting. It's very funny; singing has always been a very separate thing for me - until I went to college. I just studied musical theater because I was like, 'That means I can study voice and acting in the same major, and I won't have to double major.' Now I do musicals for a living.
Naturally, no one knows more about music than musicians. They talk about their own work all the time, but they rarely get to talk about other people's music.
I've liked music since I can remember and the guitar was always the most attractive thing about music to me at that time. I played guitar in a high school band. I played guitar in various other bands up until I was 20, but nothing too serious. From time to time someone would ask me to play with a group, but I stopped playing with band-oriented projects as a whole soon after.
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
I hadn't known anything else, other than being an artist, and I needed to be a person for a while, really get to know myself without that whole thing [of selling music] surrounding me.
At around 19 I realized that I really didn't have any skills other than making people laugh, so I should probably pursue it full-time.
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