A Quote by Mark Feuerstein

I just give off this kind of feminine vibe which has... served me so well with women in my life. — © Mark Feuerstein
I just give off this kind of feminine vibe which has... served me so well with women in my life.
A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
When somebody walks into a room they give off a certain kind of vibe or whatever and at that point that's how you're going to cast them.
To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
I've never been asked to do a collaboration. I guess I just don't give off that come-and-get-me vibe. I wouldn't be adverse to doing one with Coldplay or U2 - anyone who sells 50 million albums.
It has been our experience that women usually prefer thin, undernourished, flatchested females, dressed to the teeth, as a concept of "feminine beauty" -- and that men prefer exactly the opposite: voluptuous, well-rounded and undressed. The women's idealization of woman is actually a male counterpart, competing with man in society; man's view of women is far more truly feminine.
I love a little more driving rock and roll vibe and that kind of music has always spoke to me. I guess it just rubs off when I'm writing music.
The only kind of work which permits an able woman to realize her abilities fully, to achieve identity in society in a life plan that can encompass marriage and motherhood, is the kind that was forbidden by the feminine mystique, the lifelong commitment to an art or science, to politics or profession. If divorce has increased by one thousand percent, don't blame the women's movement. Blame the obsolete sex roles on which our marriages were based.
There is a feminine side of God. I always knew this … It is this feminine side of God I find in Jesus that makes me want to sing duets with Him … Not only do I love the feminine is Jesus, but the more I know Jesus, the more I realize that Jesus loves the feminine in me. Until I accept the feminine in my humanness, there will be a part of me that cannot receive the Lord’s love. … There is that feminine side of me that must be recovered and strengthened if I am to be like Christ … And until I feel the feminine in Jesus, there is a part of Him which I cannot identify.
Spirituality and faith are at the core of who I am. I was born to deeply religious parents who were able to give me that rock solid foundation in the church and in my faith which really has served me so well.
People scream at me, "Hey, let's party." I give off an I'm-crazy-and-I-want-to-arty-and-wrestle-you vibe.
I feel that women and men should free themselves up. It took me a while to get over my dysphoria about shopping in the men's section, trying on men's clothes, but when I was thinking about my life and the kind of woman I wanted to be, it was never just this by-the-book feminine thing.
I didn't want to be the kind of man that my father was. So I've tried, my entire life, to be the complete and utter opposite of that. And it has served not only the art well, but I think the audience well.
I tended to be hard on the egos of a certain kind of men. The ones who normally swept women off their feet had never moved me much, because I'd always felt that if they swept me off my feet they'd practiced on a lot of women before me, and would practice more with women after me. I'd rarely been wrong on that. ~Anita Blake
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
My roots are very closely tied to the DNA of the brand. Growing up in Serbia where women are unapologetically very feminine, I came to London and realised that I wanted to keep this feminine element but give it a twist and challenge ideas of classical beauty.
I didn't like most of my boyfriends. I'm a perfect example of somebody who will make it work no matter what. Like, I once had a guy move in with me. He was my least favorite. Nobody who went out with us knew that we were together. I just would not give off the vibe.
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