A Quote by Mark Fisher
While the emphasis on effects became a catastrophe for science fiction, it was a relief for the capitalist culture of which 'Star Wars' became a symbol. Late capitalism can't produce many new ideas any more, but it can reliably deliver technological upgrades. But 'Star Wars' didn't really belong to the science fiction genre any way.
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'Star Trek' is science fiction. 'Star Wars' is science fantasy. Based on the episodes I worked on, I think with 'Star Wars: Clone Wars,' we're starting to see a merging, though. It does deal, philosophically, with some of the issues of the time, which is always something 'Star Trek' was known for.
I'm not so interested any more in how a great deal of science fiction goes. It goes into things like Star Wars and Star Trek which all go excellent in their own way.
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.
I don't think the latest Star Wars pictures have any artistic intentions, but the original picture opened up epic science fiction.
It cannot be said often enough that science fiction as a genre is incredibly educational - and I'm speaking the written science fiction, not 'Star Trek.' Science fiction writers tend to fill their books if they're clever with little bits of interesting stuff and real stuff.
While I prefer generally more personal dramas in which I can stretch myself... and while I'm not a science fiction buff, I consider '2001' a great film, absolutely enthralling; at 'Star Wars' I had a fabulous time, and, at 'Alien,' while it was a silly story, I was knocked out.
Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of 'Star Wars.'
'Star Wars' is more fairy tale than true science fiction.
Most of what I do is science fiction. Some of the things I do are fantasy. I don't like the labels, they're marketing tools, and I certainly don't worry about them when I'm writing. They are also inhibiting factors; you wind up not getting read by certain people, or not getting sold to certain people because they think they know what you write. You say science fiction and everybody thinks Star Wars or Star Trek.
Sometimes it takes time to become part of the collective unconscious, just like 'Fanboys' did. Going into that movie, I said to myself that if you were a 'Star Wars' fan, you were going to love that movie. It's an homage to everything science-fiction, but especially 'Star Wars.'
I'm not sure what to call 'Lego Star Wars: The Visual Dictionary.' Nonfiction? Movie/toy fiction? But it is any Lego/'Star Wars' kid's dream. Call it spectacular.
Literary science fiction is a very, very narrow band of the publishing business. I love science fiction in more of a pop-culture sense. And by the way, the line between science fiction and reality has blurred a lot in my life doing deep ocean expeditions and working on actual space projects and so on. So I tend to be more fascinated by the reality of the science-fiction world in which we live.
'Star Wars' is a grand soap opera, and 'Star Trek' is about technology, they tried to explain the reality of it, as far-fetched as it might be. And that's why I've always liked the science behind the fiction.
Seventeen years after its intial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi] were able to match the narrative scope of Empire, which today remains one of the finest and most rousing science fiction tales ever committed to the screen.
As a child I always steered clear of science fiction, but in the autumn of 1977, the bow-wave of publicity for the first 'Star Wars' movie had already reached me, so I was eager for anything science-fictional.
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