A Quote by Mark Fisher
The World Cup is like the Overlook Hotel: the identities of individual meat puppets might change, but the structure continues endlessly.
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I would change all my individual trophies for that trophy of World Cup champion.
The world was the Overlook Hotel, where the party never ended. Where the dead were alive forever.
Many of us may have watched the waves at sea. They rise, then fall, then rise again, then fall again... and this cycle continues endlessly. It is the same with our experience of the world and its objects and relationships. We may find happiness, but this happiness will soon turn to sorrow. The sorrow that we feel will subsequently turn back to happiness but this oscillation continues endlessly. In order to maintain inner balance, we need to find peace within instead of depending on the external world.
All of the agreed-upon pariahs throughout pop-culture history put their identities into the thing we decry. And yet we derive our own identities from the act of hating. We connect on the things we are disappointed in. Some may argue that nothing in history gathers a crowd like complaining about Lady Gaga's meat dress.
Meat is a mighty contributor to climate change and other environmental problems. The amount of meat we're eating is one of the leading causes of climate change. It's as important as the kind of car you drive - whether you eat meat a lot or how much meat you eat.
It is ironic that those who seek to blend and destroy individual racial identities are the biggest enemies of diversity, while simultaneously claiming to support diversity. The end result of that form of diversity is the exact opposite of their stated goal: the destruction of individual identities and ultimately, the destruction of diversity.
If humanity has any hope of effecting real change for the better, it will not come from the Madison Avenue false reality makers who've cast Barack Obama as the savior of the world. To alter our course from tyranny to liberty, to defeat the corrupt elite, we must get past the puppets and confront the real power structure of the planet.
I go to a hotel and try to get there by 5:30 in the morning. I keep a dictionary, a thesaurus, a bible, a deck of playing cards, a bottle of sherry, and stacks of yellow sticky pads. I shut myself in for six, seven hours. I have an arrangement with the hotel that no one may go in my room. After three or four months, they might slip notes under my door like, "Dear Ms. Angelou, please let us change the linens. We think they might be molding." It's probably true. I let them in if they promise not to touch anything other then the bed.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
I think a very good system in a world with a lot of passive investors is one in which there are at least a few entrepreneurial investors, prepared to say what they think, prepared to propose a change in management, change in strategy, change in cost structure, capital structure.
The best goal I have scored for the national team would be during the 2002 World Cup against Portugal. It was my first World Cup and my first goal in the World Cup. It was like a dream, and that's why it was so memorable.
If I hadn't come East as a kid, I might still be a World Cup racer today, but I wouldn't be the same World Cup racer.
I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.
Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.
I imagine that all Americans have a unique relationship in their individual present to their collective past and how that relationship might shape their identities and experiences.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
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