A Scanner Darkly' is one of Dick's bleakest novels, and almost certainly his saddest.
In 'A Scanner Darkly,' as in 'The Spy Who Came in from the Cold,' all intersubjective relations devolve into webs of suspicion and betrayal.
No one believes this, but when I'm working, it's the same, whether I'm working on 'Bad News Bears,' 'Before Sunset,' 'A Scanner Darkly,' or 'Fast Food Nation.' I'm the same person, trying to make it work.
I remember when I made 'A Scanner Darkly,' going, 'I hope people see it in theater - but I think it's going to be seen in someone's room at two in the morning.' It's that kind of movie. And I would have loved if it had been available on multiple formats at the moment it opened.
I used flowers because they die. My mood was darkly romantic at the time.
There's very little about being in a functional-M.R.I. scanner that is natural: you are flat on your back, absolutely still, with your head immobilized by pillows and straps. The scanner makes a dreadful din, which headphones barely muffle.
In March 1977, I taped the single 'Career Opportunities' off Piccadilly Radio, which was the '70s equivalent of downloading, and then the album came out in April 1977.
I like 1977 because it is more primitive. If it were modern day, like one Universal guy was like wouldn't they just use their cell phone? I guess he did not read that it was 1977 in the script.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.
'Royal Beatings' was my first story, and it was published in 1977. But I sent all my early stories to 'The New Yorker' in the 1950s, and then I stopped sending for a long time and sent only to magazines in Canada. 'The New Yorker' sent me nice notes, though - penciled, informal messages. They never signed them. They weren't terribly encouraging.
I come out before the matches because it's important the fans see I am in a good mood. When I get to the club, my mood is always lifted. You can be in a terrible mood, but once you are at Fulham, you are happy.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.
I'm in a mood, Dave. A bad mood, a very bad mood! I was fired from my ice cream truck job today! No more Fudgicles!