A Quote by Mark Flood
I never wished to be a politician, and I despise them. I've also wrestled with it over the years, and I deeply dislike propaganda. And all art that is about propaganda, no matter how wonderful it's cause may be, I think is morally wrong. That's a major theme of my work. I don't want to control how people think; I want to show them how they are controlled by pictures.
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I'm not a propaganda machine. I tell things how I see them. When I say, for example, that corruption is not the only thing the West should think about when they think about Nigeria, I'm not saying it doesn't exist but that people have the complete wrong focus. There's music, there's art, there's culture.
I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.
I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all, I want people to question the old standard practices of, 'This is how the structure of something should work,' or, 'This is how a character must behave.'
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
The last line of defense in support of freedom and the Constitution consists of the people themselves. If the people want to be free, if they want to lift themselves out from underneath a state apparatus that threatens their liberties, squanders their resources on needless wars, destroys the value of the dollar, and spews forth endless propaganda about how indispensable it is and how lost we would all be without it, there is no force that can stop them.
You can't control everything. You can't control how someone feels about you. Or what makes them tick. You can only control how you react, how you act, how you think and feel.
Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.
First of all, feminism is not man-hating, not man-berating. It is not saying we are better. It is just saying we want the same opportunities, and we want to be able to make decisions on our own without being judged for them. We want the same freedom men have enjoyed over the years, so I think that's the place where we are. And it's completely not mutually exclusive at all for how you want to look, how you take care of yourself, how you want to be, what you want to look like.
I just think that also controlling women is a way to control the whole narrative. And so I think when you've oppressed a people for a really long time, you're terrified to give them any power because they may have some reflection of how horrible you've been and you're terrified of being treated that way. All that we want is to be our best selves, but that's hard for them to understand.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
I think it's interesting that a lot of times people want celebrities to give back in the way that they want them to give back. They want them to give money to the cause they think is important and when that doesn't happen they say, "Oh, they're not doing anything." People think celebrities are going to solve their problems. People think because someone is famous or an athlete or a politician that the solution begins with them. All they're there to do is sell you a product.
Politics is something that is bigger than many people would think and you just need to learn how to deal with them and how to accept it and how to treat them. I think that from when you are 10 years old and you look at F1 and don't realise it's there and then it is.
I feel like a celebrity is someone who sits and takes pictures with people 'cause they love themselves and how they look and how people look at them. But I just want to be regular and respected for my artistry because music doesn't necessarily have a face.
I think sometimes we underestimate just how vulnerable Israel is on the public-relations front. That's why they spend so much money on propaganda. And that's why they panic every time they feel like they're losing the propaganda war.
The second thing we have to do is to make sure that all of us think about how we approach our elections and our democracy not only to secure them from vote tampering, but also to make sure that we understand when propaganda is being churned through the system.
I think it's almost a unique control that artists can have now more than they ever did, I think if you don't be proactive about how you want your music to be visually represented, I think other people will do it for you - so how comfortable are you with people putting their own two cents on it?
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