A Quote by Mark Foster
If I was 13 years old and Kurt Cobain tweeted me some advice or even just said hi, my whole world would be affected by that.
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I used to love Kurt Cobain, when he was telling people we're a pop band. People would laugh, they thought of it as good old ironic Kurt. But he wasn't being ironic.
I didn't know Kurt Cobain or Amy Winehouse, but I was affected by both of their deaths because I admired their work so much and mourned their youth and work they would never produce.
I was in Ann Arbor, and I was told that this singer-songwriter guy wanted to meet me. It was Kurt Cobain. Nirvana had just made 'Bleach.' Kurt interviewed me on a college radio station. It was very strange. He was a fan of mine, and he gave me his album.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
I feel like the Kurt Cobain of my generation, but people just don't understand me.
I always thought it was strange when these artists like Kurt Cobain or whoever would get really famous and say, 'I don't understand why this is happening to me.' There is a mathematical formula to why you got famous. It isn't some magical thing that just started happening.
Kurt Cobain and Courtney Love talked trash about the fact that I hooped. I once stopped to say 'Hi' before a show, and as I walked away, Courtney yelled, 'Go play basketball with Dave Grohl!'
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
I'm a different person. I don't want to be titled as Courtney Love and Kurt Cobain's daughter. I want to be thought of as Frances Cobain.
When I turned 12 or 13 years old, even as a dad, you can't make a kid play anymore, but up until that point, he pushed me to keep playing, and when I turned 13, I didn't want to do anything else. He was just there with me at the cage every day because I wanted him to go with me and throw to me and work on what I needed to work on.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
At first, my bedroom had flowers and yellow walls and huge furniture in plastic that was orange and green - and furry green bed cover and everything. Then, I think the day I turned 13, I painted the walls black and put Kurt Cobain on the wall and just changed everything into a dark theme.
I know first hand what its like to be called names and to be affected by things. They would call me fat, they would call me promiscuous in different words. At the time, when I was 12-years-old, that was like the end of the world. To me, bullying is one of my biggest platforms. Lets change the world.
I wish I would have known Kurt Cobain. I would have been the first guy there to get him help, doing anything I could have. I just felt like the people around him kind of let him down.
I think Kurt Cobain and Nirvana represent this giant wave that came crashing in and turned music on its head again, and there's definitely something to be said for that.
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