A Quote by Mark Foster
I feel like kids are getting more and more used to communicating through a glass screen than they are face-to-face, and that worries me a little.
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Why is it that you can sometimes feel the reality of people more keenly through a letter than face to face?
I hate flatscreens. I don't want to see anything in that much pixilation. I don't need to see the pimple on someone's face. I love the world through glass. The more old, dusty and tainted that glass is, the prettier and more impressionistic that is to me. I don't need to see everything perfectly. I don't like it.
I just wanted to honor who Emily was. She's just a strong woman. Through my journey of playing her, I found a lot of strength, and I think that I've changed, as a female, in the way that I carry myself. To go through something traumatic, like getting your face scarred, it made me analyze vanity a lot. When you have a little pimple and you're like, "Oh, my god, there's an alien on my face!," you feel like it's magnified.
Underneath my outside face There's a face that none can see. A little less smiley, A little less sure, But a whole lot more like me.
I used to think that looking across a pillow into the fabulous face of Buster Keaton would be a more thrilling destiny than any screen career.
He leaned up a little and watched her face. Her face would now be, forever, more mysterious and impenetrable than the face of any stranger. Strangers' faces hold no secrets because the imagination does not invest them with any. But the face of a lover is an unknown precisely because it is invested with so much of oneself. It is a mystery, containing, like all mysteries, the possibility of torment.
I think it is quite hard to be as angry and abusive face to face as it is online. But my fear is that as we get more and more normalised to abuse online, it will start spreading away from the screen.
I think you feel more liberated in a foreign country. You're more open. You understand less about the social constructs that exist in a certain place, so you take people more at face value, and you're also taken more at face value, which makes you more able to be yourself.
I don't feel bad or scared about getting older in terms of my looks or anything like that. I'm not afraid of my face changing. I enjoy seeing my face change. I think it's really interesting. I wouldn't want to have same face for my whole life. It would be boring to look at the same face in the mirror for 80 years.
I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy - there's further to fall. All these little worries.
I don't feel bound by my face or my body. I don't feel like that's the biggest gift I have to offer the world. I feel like there are more parts of me to offer than that.
In a few years, men will be able to communicate more effectively through a machine than face to face. That is a rather startling thing to say, but it is our conclusion.
Does getting closer to the subject make the photograph more intimate? I'm sure it takes more than that. What comes next? The face, the nude? That's what I'd love to do. Who would even let me do that?
It's not easy to slather your face with oil. It requires a little bit of work to smooth it on and rub it in. You become more familiar with the feel of your own skin and face.
A face isn't an organ, like a liver or a heart. A face is muscles, nerves, bones, and skin. A face is more like a hand or a foot.
Hunger, thirst, cold, fatigue, your own physical and mental limitations - you will feel all of these. This teaches you about nature, more than that, you come face to face with yourself
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